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George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
George Romney Study of a Male Figure
George Romney, 1734–1802, British
Study of a Male Figure
undated
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806, British
Inimitable Mr. James Moss
1773
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809, British
Couple in a Farmyard
1782
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804, British
Wooded Landscape with Figures Round a Cooking Pot
1793
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809, British
London Cries: Last Dying Speech and Confession
ca. 1759
Michael "Angelo" Rooker Almshouses in St. Cuthbert's Churchyard, Wells
Michael "Angelo" Rooker, 1746–1801, British
Almshouses in St. Cuthbert's Churchyard, Wells
undated
Paul Sandby Francis Grose Asleep in a Chair
Paul Sandby, (?), 1731–1809, British
Francis Grose Asleep in a Chair
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809, British
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Thomas Hearne Half Timbered and Thatched Shack
Thomas Hearne, 1744–1817, British
Half Timbered and Thatched Shack
1798
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Allan Ramsay Head of a Young Woman or Man
Allan Ramsay, 1713–1784, British
Head of a Young Woman or Man
undated
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836, British
Rosebud, or the Judgement of Paris
1791
Paul Sandby Arthur Gore, first Earl of Arran
attributed to Paul Sandby, 1731–1809, British
Arthur Gore, first Earl of Arran
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
William Alexander A Raree Show
William Alexander, 1767–1816, British
A Raree Show
between 1792 and 1793
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793, British
Allegorical Subject
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795, British
Man Haranguing a Gatepost
undated
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831, British
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
Robert Mabon A Hindu Austere
Robert Mabon, died 1798, British
A Hindu Austere
ca. 1792
Robert Mabon A Waterman with his Ox or Bullock
Robert Mabon, died 1798, British
A Waterman with his Ox or Bullock
undated
Thomas Rowlandson Entrance to Festiniog, Wales
Thomas Rowlandson, 1756–1827, British
Entrance to Festiniog, Wales
1797
James Barry Study of Hercules for 'Crowning the Victors at Olympia'
James Barry, 1741–1806, Irish
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
Alexander Bannerman Dobson
Alexander Bannerman, ca. 1730–1780
Dobson
undated
Alexander Bannerman Simon Du Bois
Alexander Bannerman, ca. 1730–1780
Simon Du Bois
undated
James Bretherton P. Monamy
Print made by James Bretherton, ca. 1730–1806, British
P. Monamy
undated
Alexander Bannerman Edward Pierce, Senior & Junior
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior & Junior
undated
Thomas Chambars Cornelius Polenburg
Print made by Thomas Chambars, ca. 1724–1789, British
Cornelius Polenburg
undated
James Bretherton Charles Christian Reisen
Print made by James Bretherton, ca. 1730–1806, British
Charles Christian Reisen
1762
James Bretherton Charles Christian Reisen
Print made by James Bretherton, ca. 1730–1806, British
Charles Christian Reisen
1762
Thomas Chambars John Sybrecht
Print made by Thomas Chambars, ca. 1724–1789, British
John Sybrecht
undated
Thomas Chambars Michael Rysbrack
Print made by Thomas Chambars, ca. 1724–1789, British
Michael Rysbrack
undated
Thomas Chambars Lewis Francis Roubiliac
Print made by Thomas Chambars, ca. 1724–1789, British
Lewis Francis Roubiliac
undated
Thomas Chambars Enoch Seeman
Print made by Thomas Chambars, ca. 1724–1789, British
Enoch Seeman
undated
John Kirby Baldrey Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)
Print made by John Kirby Baldrey, active 1750–1821
Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)
1798
Thomas Chambars Godfrey Schalcken
Print made by Thomas Chambars, ca. 1724–1789, British
Godfrey Schalcken
undated
Alexander van Haecken Francis Smith, Architect
Alexander van Haecken, 1701–1758, Flemish
Francis Smith, Architect
ca. 1755
Charles Bretherton Sir James Thornhill
Print made by Charles Bretherton, ca. 1760–1783, British
Sir James Thornhill
1782
Thomas Chambars Peter Tillemans
Print made by Thomas Chambars, ca. 1724–1789, British
Peter Tillemans
undated
Alexander Bannerman Anthony van Dyck
Alexander Bannerman, ca. 1730–1780
Anthony van Dyck
undated
Thomas Chambars Paul Van Somer
Print made by Thomas Chambars, ca. 1724–1789, British
Paul Van Somer
undated
Alexander Bannerman William Kent
Alexander Bannerman, ca. 1730–1780
William Kent
1762
Alexander Bannerman James Gibbs
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
Alexander Bannerman William Faithorne
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
Alexander Bannerman Marc Garrard
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
Thomas Girtin A Village in a Wood
Thomas Girtin, 1775–1802, British
A Village in a Wood
ca. 1796
Thomas Chambars Samuel Cooper
Print made by Thomas Chambars, ca. 1724–1789, British
Samuel Cooper
undated
Thomas Chambars Sir Balthazar Gerbier
Print made by Thomas Chambars, ca. 1724–1789, British
Sir Balthazar Gerbier
undated
John Condé T. Banks, Sculptor, R. A.
Print made by John Condé, 1765–1794, French, active in Britain
T. Banks, Sculptor, R. A
1791
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: For the Benefit of Mr. Salpietro
1799
Edward Dayes Haweswater, Westmoreland
Edward Dayes, 1763–1804, British
Haweswater, Westmoreland
ca. 1795
John Downman Portrait of a Divine Called Reverend John Wesley
John Downman, 1750–1824, British
Portrait of a Divine Called Reverend John Wesley
ca. 1781