Medium: wove paper / Date: 1814 / Work Type: intaglio print - YCBA Collections Search Search Results

Etched by Joseph Mallord William Turner, 1775–1851, British

Solitude

1814

Print made by William Bernard Cooke, 1778–1855, British

Weymouth

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by John Horsburgh, 1791–1869, British

Whitstable, Kent

1814 to 1826

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Bow and Arrow Castle, Isle of Portland

1814-1826

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Lulworth Castle, Dorsetshire

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Corfe Castle, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by Richard Cooper the Younger, 1740–1814, British

Sir William Beechey, R. A

1814

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by William Daniell, 1769–1837, British

Prince Hoare

1814

John Hill, 1770–1850, British

St. Sepulchres, The Round Church

1814

Print made by George Hawkins, active 1795–1810, British

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by William Daniell, 1769–1837, British

Thomas Girtin

1814

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844, French

James Northcote, R.A

1814

Print made by Anthony Cardon, 1772–1813, Flemish

Henry Tresham, Esq. R. A

1814

Print made by Samuel Bellin, 1799–1894, British

David Cox

undated

Print made by William Bernard Cooke, 1778–1855, British

Purfleet

1814

Published by Robert Wilkinson, 1758–1825, British

E.S.E. View of John Bunyan's Meeting House in Zoar Street, Gravel Lane, Southwark with the Adjacent Plan

1814

Print made by James Baily, active 1815–1834

Peak of Fogo Cape de Verde Island from the S.S.E

1814

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by unknown artist, nineteenth century

Gateway to the Flower Garden at Farnley

1814

Print made by unknown artist, nineteenth century

Bay Windows in the Flower Garden at Farnley

1814

Print made by Andreas Freschi, born 1774, Italian

The Prince Regent

1814

Print made by John Bluck, active 1791–1831, British

Clare Hall

1814

Print made by William Daniell, 1769–1837, British

John Zoffany, R.A

1814

Charles Turner, 1774–1857, British

Sir Charles Hay, Lord Newton

1814

unknown artist

Mrs. Frances Abington, (née Barton)

1814

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Costume of the Reign of King Henry III, 1250

1814

Print made by William Bernard Cooke, 1778–1855, British

Billingsgate

1814

Print made by William Daniell, 1769–1837, British

Barmouth, Merionethshire

1814

William Johnstone White, active 1804–died c.1870, British

Representation of the Festival for the Return of Peace

1814

Print made by unknown artist, nineteenth century

Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

1814

Print made by George Moutard Woodward, ca. 1760–1809, British

Sketches of Fairy-Land or a Comparison between England & Lilliput

ca. 1819

Richard Cooper the Elder, 1701–1764, British

John Hunter Esq. F.R.S

1814

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Medium wove paper

Date 1814

Work Type intaglio print

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Medium wove paper

Date 1814

Work Type intaglio print

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