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Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Study of a Pilgrim
undated
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806, British
Plate VIII, Human Body, Posterior View
1804
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806, British
Plate VII, Human Body, Lateral View
1804
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806, British
Plate VI, Human Body, Frontal View
1804
George Stubbs Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
George Stubbs, 1724–1806, British
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (For the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (For the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806, British
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
George Stubbs Human Skeleton, Posterior View
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Figure, Posterior View, Undissected (Finished Study for Table VII)
George Stubbs, 1724–1806, British
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806, British
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
Edward Lear Korti
Edward Lear, 1812–1888, British
Korti
1867
George Romney Figure Standing, with a Bent Knee
George Romney, 1734–1802, British
Figure Standing, with a Bent Knee
undated
George Romney Figure Supporting a Fainting Figure
George Romney, 1734–1802, British
Figure Supporting a Fainting Figure
undated
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
George Romney Female Figure Kneeling on a Promontory, Waving
George Romney, 1734–1802, British
Female Figure Kneeling on a Promontory, Waving
undated
George Romney Rape
George Romney, 1734–1802, British
Rape
undated
George Romney Standing Figure
George Romney, 1734–1802, British
Standing Figure
undated
George Romney Rape Scene: Hell
George Romney, 1734–1802, British
Rape Scene: Hell
undated
George Romney Two Figures, with One Male Nude Kneeling
George Romney, 1734–1802, British
Two Figures, with One Male Nude Kneeling
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802, British
Two Sketches of a Nude Woman
undated
George Romney Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
George Romney, 1734–1802, British
Two Sketches: Seated Male Nude, Rear View; Standing Figure, Gesticulating
undated
George Romney Two Sketches of a Seated Male Nude, Rear View
George Romney, 1734–1802, British
Two Sketches of a Seated Male Nude, Rear View
undated
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
William Blake Jerusalem, Plate 81, "I have mockd those...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 81, "I have mockd those...."
1804 to 1820
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
John Copley Athletes Dressing
Print made by John Copley, 1875–1950, British
Athletes Dressing
1912
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
The West India Washer-Women
1779
Sir David Wilkie La Mancha
Sir David Wilkie, 1785–1841, British
La Mancha
1828
William Hamilton Hero and Leander
William Hamilton, 1751–1801, British
Hero and Leander
1801
James Barry Male with Arms Spread Wide Seen from Behind
James Barry, 1741–1806, Irish
Male with Arms Spread Wide Seen from Behind
undated
George Henry Harlow Hecate
George Henry Harlow, 1787–1819, British
Hecate
1815
Robert Sargent Austin Romance
Print made by Robert Sargent Austin, 1895–1973, British
Romance
1922
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Edward Francis Burney Study of a Male Nude
Edward Francis Burney, 1760–1848, British
Study of a Male Nude
undated
John Coplans Back Torso from Below
John Coplans, 1920–2003, British
Back Torso from Below
1985
David Mach Princess
Print made by David Mach, born 1956, British
Princess
1996
Reg Butler Lithograph from a Collection of 14, 1952-1954
Print made by Reg Butler, 1913–1981, British
Lithograph from a Collection of 14, 1952-1954
1954
Thomas Chambars Michael Rysbrack
Print made by Thomas Chambars, ca. 1724–1789, British
Michael Rysbrack
undated
John Opie Standing Classical Male Figure with Spear
John Opie, 1761–1807, British
Standing Classical Male Figure with Spear
undated
William Lee Hankey Cave Maiden
William Lee Hankey, 1869–1952, British
Cave Maiden
between 1910 and 1911
unknown artist Classical Male Nude
unknown artist
Classical Male Nude
ca. 1800
Augustus Edwin John Seated Nude Couple by a River Bank
Augustus Edwin John, 1878–1961, British
Seated Nude Couple by a River Bank
undated
Augustus Edwin John Standing Female Nude Seen from Behind
Augustus Edwin John, 1878–1961, British
Standing Female Nude Seen from Behind
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
Thomas Rowlandson Venus Crowned by Cupid
Thomas Rowlandson, 1756–1827, British
Venus Crowned by Cupid
between 1810 and 1815
Conrad Martin Metz Christ the Judge and Saints John the Baptist and Abel
Conrad Martin Metz, 1749–1827, German
Christ the Judge and Saints John the Baptist and Abel
1801
Wyndham Lewis Female Nude and Horse
Wyndham Lewis, 1882–1957, British
Female Nude and Horse
ca. 1925
Edward Burne-Jones Cupid and Psyche
Edward Burne-Jones, 1833–1898, British
Cupid and Psyche
ca. 1870
William Edward Frost Reclining Female Nude
William Edward Frost, 1810–1877, British
Reclining Female Nude
after 1845
Henry Scott Tuke Standing Male Nude
Henry Scott Tuke, 1858–1929, British
Standing Male Nude
undated