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Medium wove paper

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Height [cm] 39

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George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806, British
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806, British
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806, British
Owl Standing, Anterior View
1795 to 1806
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764, British
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764, British
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764, British
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851, British
Ship Aground Brighton
1830
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851, British
Weymouth
ca. 1811
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851, British
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851, British
Winchelsea, Sussex
1812
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of the Temple of Concordia
1802-1804
Sir Robert Smirke the younger Architectural Drawing
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing
1802-1804
Sir Robert Smirke the younger Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
Sir Robert Smirke the younger, 1781–1867, British
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
Charles William Cain The Nautch Dancers
Print made by Charles William Cain, 1893–1962, British
The Nautch Dancers
ca. 1925
unknown artist Returning from a Review...Paris
unknown artist, ( Lewis )
Returning from a Review...Paris
1802
unknown artist Breakfast at Breteuil
unknown artist, ( Lewis )
Breakfast at Breteuil
1801
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855, British
Hurstmonceux Castle
1820
Henry Le Keux Simmer Lake near Askrig
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1818-1823
Charles Heath Ingleborough, from Hornby Castle Terrace
Print made by Charles Heath, 1785–1848, British
Ingleborough, from Hornby Castle Terrace
1818-1823
Charles Heath Kirkby Lonsdale Churchyard
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Robert Wallis Edinburgh from Leith Harbour, Vignette Title to Vol. II
Print made by Robert Wallis, 1794–1878, British
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene III
ca. 1802
William Green Landscape with River and a Bridge
William Green, 1760–1823, British
Landscape with River and a Bridge
undated
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821, British
The Sailor's Departure
ca. 1795
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801, British
Traveling Potter Outside a Cottage
1798
Frederick Catherwood Maya Stela at Copan, Honduras
Frederick Catherwood, 1799–1854, British
Maya Stela at Copan, Honduras
1843
Samuel Owen Shipping on a Stormy Day
Samuel Owen, 1768–1857, British
Shipping on a Stormy Day
undated
George Morland Two Men on a Country Road
George Morland, 1763–1804, British
Two Men on a Country Road
1793
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804, British
Landscape with Horses, Farmer and Dog
1794
Arthur John Reginald Trevor Briscoe The Main Tack
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British
The Main Tack
1928
Charles William Cain A Persian Bazaar
Print made by Charles William Cain, 1893–1962, British
A Persian Bazaar
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794, British
Temple of Jupiter and Minerva, Thugga
undated
George Cattermole A Monastery Mill
George Cattermole, 1800–1868, British
A Monastery Mill
undated
George Cooke Edinburgh Castle, Vignette Title to Vol. I
Print made by George Cooke, 1781–1834, British
Edinburgh Castle, Vignette Title to Vol. I
1826
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene V
ca. 1802
Paul Sandby Arthur Gore, first Earl of Arran
attributed to Paul Sandby, 1731–1809, British
Arthur Gore, first Earl of Arran
undated
William Green Landscape, Castle by a River
William Green, 1760–1823, British
Landscape, Castle by a River
undated
Francis Nicholson Stourhead, Wiltshire
after Francis Nicholson, 1753–1844, British
Stourhead, Wiltshire
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804, British
Landscape with Cottage and Figures on Horseback
1793
Daniel Lysons Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
Daniel Lysons, 1762–1834, British
Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
between 1796 and 1811
Daniel Lysons Memorial to Francis Phelips, from Sunbury Church
Daniel Lysons, 1762–1834, British
Memorial to Francis Phelips, from Sunbury Church
between 1796 and 1811
James Sowerby Bantam Cock and Farmpails
James Sowerby, 1756–1822, British
Bantam Cock and Farmpails
1820
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898, British
Study for The Wedding Feast of Sir Degrevaunt
undated
Frederick Catherwood Ruins at Sabachtsche
Frederick Catherwood, 1799–1854, British
Ruins at Sabachtsche
undated
Daniel Lysons Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune
Attributed to Daniel Lysons, 1762–1834, British
Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune
between 1796 and 1811
Daniel Lysons Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
Attributed to Daniel Lysons, 1762–1834, British
Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
between 1796 and 1811
Daniel Lysons Memorial to William Earsby also to Edmund Guesham from Fulham Church
Attributed to Daniel Lysons, 1762–1834, British
Memorial to William Earsby also to Edmund Guesham from Fulham Church
between 1796 and 1811
Daniel Lysons Brass Plate for unidentified Woman from Stoke Newington Church
Attributed to Daniel Lysons, 1762–1834, British
Brass Plate for unidentified Woman from Stoke Newington Church
between 1796 and 1811
James C. Allen Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
Thomas Rowlandson A Military Escapade
Thomas Rowlandson, 1756–1827, British
A Military Escapade
between 1794 and 1800
Michael Landy Creeping Buttercup
Michael Landy, Born 1963, British
Creeping Buttercup
2002
James Barry Study of Hercules for 'Crowning the Victors at Olympia'
James Barry, 1741–1806, Irish
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
John Buckler FSA Interior of a Rom in Samlesbury Hall; Lancashire
John Buckler FSA, 1770–1851, British
Interior of a Rom in Samlesbury Hall; Lancashire
1814
Sir Jeffry Wyatville Longleat, Somerset: Elevation
Studio of Sir Jeffry Wyatville, 1766–1840, British
Longleat, Somerset: Elevation
ca. 1810
Sir Jeffry Wyatville Dinton House, Wiltshire: Perspective View
Studio of Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Perspective View
ca. 1812
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870, British
Valombre
1834
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
Sawrey Gilpin Lion Walking in Rocky Landscape
Sawrey Gilpin, 1733–1807, British
Lion Walking in Rocky Landscape
undated
Sawrey Gilpin Three Sheep
Sawrey Gilpin, 1733–1807, British
Three Sheep
undated
Joseph Farington View of the Convent of the Clarisses at Valenciennes after the Seige
Joseph Farington, 1747–1821, British
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
Hubert-François Gravelot Design for a Frontispiece: Group of Allegorical Figures
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Group of Allegorical Figures
undated