Medium: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: wings - YCBA Collections Search Search Results

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Medium wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms wings

George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

George Stubbs Owl Standing, Anterior View

George Stubbs, 1724–1806, British

Owl Standing, Anterior View

1795 to 1806

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 77, "The Descent of Odin."

between 1797 and 1798

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 48, "These were his last words...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 48, "These were his last words...."

1804 to 1820

William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake Jerusalem, Plate 71, "And above Albions Land...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 71, "And above Albions Land...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 44, "With one accord...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

William Blake Jerusalem, Plate 46, "Bath, mild Physician...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 46, "Bath, mild Physician...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Aged Ignorance; Plate 13

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Thomas Carwitham Design for a Ceiling Decoration

Thomas Carwitham, active 1723, British

Design for a Ceiling Decoration

1723

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Samuel William Reynolds Vulture and Lamb

Print made by Samuel William Reynolds, 1773–1835, British

Vulture and Lamb

1799

Alfred Henry Forrester Wrapper for six prints from Alfred Crowquill's Christmas Pieces

Print made by Alfred Henry Forrester, 1804–1872, British

Wrapper for six prints from Alfred Crowquill's Christmas Pieces

undated

Thomas Rowlandson Venus Crowned by Cupid

Thomas Rowlandson, 1756–1827, British

Venus Crowned by Cupid

between 1810 and 1815

John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Harpies Attacking the Daughters of Pandarus

1848

Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

unknown artist Design after a Greek Vase

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist Design after a Greek Vase

unknown artist, eighteenth century

Design after a Greek Vase

undated

Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

Print made by Henry J. Townsend, 1810–1890, British

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

Luigi Schiavonetti The Meeting of a Family in Heaven

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808, published 1813

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808, published 1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

Augustus Welby Northmore Pugin Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

Augustus Welby Northmore Pugin, 1812–1852, British

Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

undated

Robert Smirke Study of a Woman, being Taken Away by a Winged Being

Robert Smirke, 1752–1845, British

Study of a Woman, being Taken Away by a Winged Being

undated

Robert Smirke Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

Robert Smirke, 1752–1845, British

Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

undated

Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Robert Smirke, 1752–1845, British

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Robert Smirke Five Vignettes of Scenes from Antiquity

Robert Smirke, 1752–1845, British

Five Vignettes of Scenes from Antiquity

undated

Robert Smirke Allegorical Scene

Robert Smirke, 1752–1845, British

Allegorical Scene

undated

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Samuel Freeman Iris

Print made by Samuel Freeman, 1773–1857, British

Iris

1808

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

James Gillray Presages of the Millenium

James Gillray, 1756–1815, British

Presages of the Millenium

1795

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

John Linnell The Destruction of Job's Sons

circle of John Linnell, 1792–1882, British

The Destruction of Job's Sons

undated

Francesco Bartolozzi Cupid Disarmed by Venus

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cupid Disarmed by Venus

1804

Francesco Bartolozzi Ticket: For the Benefit of Mr. Salomon

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salomon

1794