Medium: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: sculpture

attributed to Francis Danby, 1793–1861, Irish

Subterranean Pool with Sculptural Torchere

undated

Edward Lear, 1812–1888, British

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

Edward Francis Burney, 1760–1848, British

Allegory of Drawing

undated

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Thomas Hearne, 1744–1817, British

The Ruins of the College of Lincluden, Near Dumfries

ca. 1778

unknown artist

Elevation of the Ordnance Office

after 1780

Agostino Aglio the elder, 1777–1857, Italian, active in Britain

An Imaginary Design for a Monument to Lord Nelson

1805

Attributed to William Henry Hunt, 1790–1864, British

Interior of a Room

ca. 1821

unknown artist

Interior of Milan Cathedral

undated

Samuel Prout, 1783–1852, British

The Porch, Reims Cathedral

ca. 1840

William Page, 1794–1872

Figures Seated Under a Stone Arch

undated

Thomas Rowlandson, 1756–1827, British

The Exhibition Stare-Case, Somerset House

ca. 1800

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

George H. Every, 1837–1910, British

Sir Joshua Reynolds

1866

Print made by John Condé, 1765–1794, French, active in Britain

T. Banks, Sculptor, R. A

1791

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Common Sense Versus Precedent

1848

Thomas Rowlandson, 1756–1827, British

Comforts of Bath: The Pump Room

1798

Print made by Thomas Chambars, ca. 1724–1789, British

Grinling Gibbons

undated

Print made by Thomas Cook, 1744–1818, British

William Hogarth

1809

attributed to Thomas Girtin, 1775–1802, British

In the Farnese Gardens, Rome

ca. 1795

Peter DeWint, 1784–1849, British

Achilles Statue, Hyde Park, London

undated

John Sell Cotman, 1782–1842, British

Sculpture on a Suite of Capitals in the Cloisters of the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy

1818

John Sell Cotman, 1782–1842, British

Sculpture upon a House on the North Side of the Cathedral at Bayeux

1819

Samuel Davis, 1760–1819, British

Sculpture depicting three heads

undated

Arthur William Devis, 1762–1822, British

Indian Potter

undated

Thomas Rowlandson, 1756–1827, British

An Artist's Studio

1814

James Ward, 1769–1859, British

Study of Sculpture: from the Elgin Marbles

undated

Robert Smirke, 1752–1845, British

She Never Told Her Love, But Sat Like Patience on a Monument

1827

Anna Mills, active 1819, British

The Entrance to Hengrave Hall, 1819

1819

Print made by Thomas Creswick, 1811–1869, British

The Terrace

ca. 1844

Robert Smirke, 1752–1845, British

Bust of Shakespeare

1825

William Pars, 1742–1782, British

Measured Drawing of Sculpture in Gymnasium at Ephesus

undated

William Pars, 1742–1782, British

Figures with a Bull From Parthenon Frieze

undated

William Pars, 1742–1782, British

Sketch of Centaurs and Lapiths From a Frieze

undated

William Pars, 1742–1782, British

Sketch of a Horseman, From the Parthenon Frieze

undated

Print made by Ebenezer Challis, active 1837–1859

Entrance to Lincoln Cathedral

1837

Print made by Bradshaw & Blacklock, active ca.1850, British

Eaton Hall

after 1850