Medium: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: bushes

William Blake, 1757–1827, British

The Entrance Front of Hayley's House at Eartham

1801

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

Print made by William Blake, 1757–1827, British

Alas!; Plate 9

1793

Print made by William Blake, 1757–1827, British

The Traveller Hasteth in the Evening; Plate 16

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by James Bretherton, ca. 1730–1806, British

Inimitable Mr. James Moss

1773

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Robert Dixon, 1780–1815, British

Remains of the Priory, Beeston Regis

1810

Robert Dixon, 1780–1815, British

Beeston Priory, Beeston Regis

between 1810 and 1811

George Richmond, 1809–1896, British

A Bushy Lane with a Field Beyond

1866

Thomas Hearne, 1744–1817, British

The Trees and River in the Park at Coleorton Hall, Leicestershire

undated

Thomas Hearne, 1744–1817, British

The Lecture House, Watford

1807

Cornelius Varley, 1781–1873, British

A Moated House

undated

Dr. Thomas Monro, 1759–1833, British

Composition: The Edge of a Wood

undated

George Morland, 1763–1804, British

Landscape with Horses, Farmer and Dog

1794

John Nixon, ca. 1760–1818, British

Binstead Parsonage, Isle of Wight

undated

Cornelius Varley, 1781–1873, British

Hartwell, Buckinghamshire

1833

Thomas Hearne, 1744–1817, British

Cottage

undated

Thomas Hearne, 1744–1817, British

Brackenborough Church, Wiltshire

undated

Patrick Nasmyth, 1787–1831, British

Part of Regent's Park

1805

John Linnell, 1792–1882, British

Windsor Forest

1815

John Varley, 1778–1842, British

London from the Thames

undated

Alexander Monro, 1802–1844

Boxhill from West Humble Lane

undated

Dr. Thomas Monro, 1759–1833, British

Composition: Marshland Landscape

undated

Cornelius Varley, 1781–1873, British

Farm Buildings with Stack Makers

ca. 1810

attributed to Thomas Rowlandson, 1756–1827, British

Lyson's Cottage, Cowes, Isle of Wight

undated

Thomas Rowlandson, 1756–1827, British

Drawing Cover

undated

Thomas Rowlandson, 1756–1827, British

Covent Garden Market

between 1795 and 1810

Thomas Rowlandson, 1756–1827, British

A Burial at Carisbrooke, Isle of Wight

between 1797 and 1800

Thomas Rowlandson, 1756–1827, British

Dudley Castle

undated

Thomas Rowlandson, 1756–1827, British

View of the Church and Village of St. Cue, Cornwall

ca. 1812

David Roberts, 1796–1864, British

Palace on a River

undated

Francis Towne, 1740–1816, British

A Bridge Between Florence and Bologna

1781

Henry Edridge, 1769–1821, British

Boxhill from Westhumble Lane

undated

James Pollard, 1792–1867, British

Grouse Shooting

undated

Thomas Rowlandson, 1756–1827, British

The Gardener's Offering

between 1803 and 1805

Possibly Henry Thomas Alken, 1785–1851, British

The Death

undated

Henry Thomas Alken, 1785–1851, British

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

undated

Henry Thomas Alken, 1785–1851, British

"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

undated

Henry Thomas Alken, 1785–1851, British

"The National Sports of Great Britain" 1821: Badger Catching

1821

Samuel Alken, 1756–1815, British

Foxhunting: Rider and a Couple of Hounds Entering a Covert

undated

Samuel Alken, 1756–1815, British

Foxhunting: Going to Draw Cover..

undated

Thomas Rowlandson, 1756–1827, British

Mr. Drummond's Cottage, East Cowes, Isle of Wight

between 1797 and 1800

Henry Thomas Alken, 1785–1851, British

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

between 1848 and 1851

Henry Thomas Alken, 1785–1851, British

'Getting Across the Country Like a Gentleman'

undated

Henry Thomas Alken, 1785–1851, British

The Death: Huntsman Holding Fox Aloft

undated

Henry Thomas Alken, 1785–1851, British

Foxhunting: Drawing a Cover

undated

Samuel Alken, 1756–1815, British

Treeing a Fox

undated

Julius Caesar Ibbetson, 1759–1817, British

Supported by a Bramble

undated

Charles Claude Pyne, 1802–1878

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

1872

Thomas Rowlandson, 1756–1827, British

Gardening

undated

Thomas Rowlandson, 1756–1827, British

The Esquire's Intrusion

ca. 1817

Thomas Girtin, 1775–1802, British

Tolleshunt-Beckingham, Essex

ca. 1795

Thomas Girtin, 1775–1802, British

Distant View of Jedburgh

ca. 1796

David Roberts, 1796–1864, British

Hillslap

undated

John Warwick Smith, 1749–1831, British

The Colosseum, Rome

1802

unknown artist

Villa Pliniana on the Lake of Como

ca. 1828

Thomas Girtin, 1775–1802, British

Rye, Sussex

ca. 1795

unknown artist, nineteenth century

Unidentified Castle

ca. 1824

Thomas Rowlandson, 1756–1827, British

The Angling Party

undated

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Samuel Prout, 1783–1852, British

The Thatched Cottage

undated

Print made by John Crome, 1768–1821, British

Landscape with Oak Trees

ca. 1812

Print made by Thomas Creswick, 1811–1869, British

The Terrace

ca. 1844

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Newstead Abbey

after 1850

Print made by unknown artist, (E. E.)

Young Mother, Baby Girl and Boy Beside a Country Fence

undated

Print made by Gabriel Charton, active 1810

Paysanne des environs de Cracouie; Costume des environs de Cracouie

ca. 1810

Print made by Robert Barnes, 1840–1895, British

Baby Girl with Doll, Watching Chick

undated

Print made by Alfred W. Cooper, active 1850–1901, British

The Young Squire (tail piece)

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eaton Hall

after 1850

Print made by Richard Parkes Bonington, 1802–1828, British

Ancienne Porte a Stirling

1826

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Print made by Richard Parkes Bonington, 1802–1828, British

Pierre de Vaivre

1827

Print made by Anthony Cardon, 1772–1813, Flemish

Credulity

1796

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by John Crome, 1768–1821, British

Three Landscape Studies

undated

Print made by John Crome, 1768–1821, British

The Back of the Mills

ca. 1812

Charles Johnson Payne "Snaffles", 1884–1967, British

The Bullfinch: `Black as yer hat on this side and glorious uncertainty on the other'

ca. 1913

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

Thomas Dighton, ca. 1793–1873, British

Design for the Gardens in the Regent's Park Belonging to the Zoological Society

undated

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

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Medium wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms bushes

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Medium wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms bushes

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