Medium: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 13 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Medium wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

John Constable A View on the Orwell

attributed to John Constable, 1776–1837, British

A View on the Orwell

undated

John Constable Suffolk Landscape

John Constable, 1776–1837, British

Suffolk Landscape

undated

John Constable View near Arundel

John Constable, 1776–1837, British

View near Arundel

between 1834 and 1835

John Constable Landscape with Windmill

attributed to John Constable, 1776–1837, British

Landscape with Windmill

between 1825 and 1830

John Constable The Ruins of Netley Abbey

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Samuel Palmer The Timber Wain

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Timber Wain

between 1833 and 1834

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Samuel Palmer The Herdsman's Cottage

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Robert Polhill Bevan The Meet

Robert Polhill Bevan, 1865–1925, British

The Meet

1898

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Samuel Palmer The Weary Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire

Joseph Mallord William Turner, 1775–1851, British

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner Rhodes

Joseph Mallord William Turner, 1775–1851, British

Rhodes

between 1823 and 1824

Joseph Mallord William Turner Fisherman's Cottage, Dover

Joseph Mallord William Turner, 1775–1851, British

Fisherman's Cottage, Dover

ca. 1790s

Edward Lear Albania

Edward Lear, 1812–1888, British

Albania

between 1848 and 1849

Edward Lear The Pontine Marshes above Terracina

Edward Lear, 1812–1888, British

The Pontine Marshes above Terracina

ca. 1880

William Blake From Antique Coins

William Blake, 1757–1827, British

From Antique Coins

1821

William Blake Caius Julius Cæsar

William Blake, 1757–1827, British

Caius Julius Cæsar

1821

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

Sir Robert Smirke the younger Porch to a Private House in Padua

Sir Robert Smirke the younger, 1781–1867, British

Porch to a Private House in Padua

1802-1804

Sir Robert Smirke the younger Sketch of Three Standing Gravestones

Sir Robert Smirke the younger, 1781–1867, British

Sketch of Three Standing Gravestones

1802-1804

Sir Robert Smirke the younger Threee Ornate Tombstones

Sir Robert Smirke the younger, 1781–1867, British

Threee Ornate Tombstones

1802-1804

Capt. Thomas Hastings Sketch of Ships near West Cowes, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Sketch of Ships near West Cowes, Isle of Wight

between 1826 and 1830

Capt. Thomas Hastings Near Falmouth

Capt. Thomas Hastings, 1778–1854, British

Near Falmouth

1834

Capt. Thomas Hastings Near the Entrance to Newport from East Cowes

Capt. Thomas Hastings, 1778–1854, British

Near the Entrance to Newport from East Cowes

between 1826 and 1830

Capt. Thomas Hastings Sketch of a Landscape with a Distant Harbor

Capt. Thomas Hastings, 1778–1854, British

Sketch of a Landscape with a Distant Harbor

between 1826 and 1830

Capt. Thomas Hastings Sketch of Sailing Boats in a Harbor

Capt. Thomas Hastings, 1778–1854, British

Sketch of Sailing Boats in a Harbor

between 1826 and 1830

Capt. Thomas Hastings Sketch of a Sailing Boat

Capt. Thomas Hastings, 1778–1854, British

Sketch of a Sailing Boat

between 1826 and 1830

Capt. Thomas Hastings Near Freshwater, Isle of Wight

Capt. Thomas Hastings, 1778–1854, British

Near Freshwater, Isle of Wight

1830

Henry Swinburne Bois, France

Henry Swinburne, 1743–1803, British

Bois, France

undated

John Sell Cotman Harlech Castle

Print made by John Sell Cotman, 1782–1842, British

Harlech Castle

undated

Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Henry Swinburne, 1743–1803, British

View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

1764

Henry Swinburne Valencia, Spain

Henry Swinburne, 1743–1803, British

Valencia, Spain

1775 to 1776

Henry Swinburne View from the Gallows Hill

Henry Swinburne, 1743–1803, British

View from the Gallows Hill

undated

Luigi Balugani [One of] Miscellaneous Sketches in Wrapper

Luigi Balugani, 1737–1770, Italian

[One of] Miscellaneous Sketches in Wrapper

undated

John Wilson Carmichael A Fireworks Display

John Wilson Carmichael, 1799–1868, British

A Fireworks Display

undated

Sir David Wilkie Fife

Sir David Wilkie, 1785–1841, British

Fife

undated

Thomas Rowlandson Dr. Syntax Made Free of the Cellar

Thomas Rowlandson, 1756–1827, British

Dr. Syntax Made Free of the Cellar

undated

James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

James Ward, 1769–1859, British

Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

1820 to 1830

John Gendall Fulham Palace, Porter's Lodge

John Gendall, 1790–1865, British

Fulham Palace, Porter's Lodge

undated

Samuel Howitt A Bear Attacking a Fallen Indian

Samuel Howitt, 1756–1822, British

A Bear Attacking a Fallen Indian

undated

Samuel Howitt A Tiger Pierced with an Arrow

Samuel Howitt, 1756–1822, British

A Tiger Pierced with an Arrow

undated

Samuel Howitt A Bull Attacking a Dog

Samuel Howitt, 1756–1822, British

A Bull Attacking a Dog

undated

Samuel Howitt Lion Attacking a Stag

Samuel Howitt, 1756–1822, British

Lion Attacking a Stag

undated

Samuel Howitt A Monkey and Young

Samuel Howitt, 1756–1822, British

A Monkey and Young

after 1799

Samuel Howitt A Boar and a Ram

Samuel Howitt, 1756–1822, British

A Boar and a Ram

undated

Samuel Howitt A Lion Standing over a Wounded Leapard

Samuel Howitt, 1756–1822, British

A Lion Standing over a Wounded Leapard

undated

Samuel Howitt The Mischievous Dog

Samuel Howitt, 1756–1822, British

The Mischievous Dog

undated

Samuel Howitt A Goose and a Baboon

Samuel Howitt, 1756–1822, British

A Goose and a Baboon

undated

Thomas Johnson View of Canterbury

Thomas Johnson, 1651–1685

View of Canterbury

undated

John Frederick Tayler A Fruit Stall in a Market

John Frederick Tayler, 1802–1889, British

A Fruit Stall in a Market

undated

Humphry Repton West Hill, the seat of D.H. Rucker

Humphry Repton, 1752–1818, British

West Hill, the seat of D.H. Rucker

undated

George Frederick Prosser The Deep-Dene. The Seat of Thomas Hope, Esq.

George Frederick Prosser, active 1828–1868

The Deep-Dene. The Seat of Thomas Hope, Esq

undated

William Callow Garden Stair, Haddon Hall

William Callow, 1812–1908, British, active in France

Garden Stair, Haddon Hall

1849

George Lothian Hall The Rock of Gibraltar, from the North Front Guard Room

George Lothian Hall, 1825–1888, British

The Rock of Gibraltar, from the North Front Guard Room

1843

Richard Banks Harraden Clare College, Cambridge

Richard Banks Harraden, 1778–1862, British

Clare College, Cambridge

undated

John Samuel Hayward Wreck and the Merchant Vessel, St. George, at Deal, Kent

John Samuel Hayward, 1778–1822

Wreck and the Merchant Vessel, St. George, at Deal, Kent

1807

Samuel Howitt A Monkey and a Fox

Samuel Howitt, 1756–1822, British

A Monkey and a Fox

undated

Samuel Howitt The Dog and the Wolf

Samuel Howitt, 1756–1822, British

The Dog and the Wolf

undated

Sparrow Herstmonceux Castle, Sussex Pl. 4

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. 4

undated

Charles Bentley Hay Barge in a Calm Sea

Attributed to Charles Bentley, 1806–1854, British

Hay Barge in a Calm Sea

undated

Francis Wheatley Soldiers and Country Women

Francis Wheatley, 1747–1801, British

Soldiers and Country Women

undated

Robert Smirke Falstaff Instructing Bardolph

Robert Smirke, 1752–1845, British

Falstaff Instructing Bardolph

1825

Robert Smirke Falstaff Dragging the Body of Hotspur

Robert Smirke, 1752–1845, British

Falstaff Dragging the Body of Hotspur

1825

unknown artist Landscape with trees, hill and dramatic sky

unknown artist, eighteenth century

Landscape with trees, hill and dramatic sky

undated

James Chisholm Gooden Coastal Scene with Shipping

James Chisholm Gooden, active 1835–1865

Coastal Scene with Shipping

undated

Edward Francis Finden Bolton Abbey, Wharfdale

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Robert Wallis Buckfastleigh Abbey, Devonshire

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey, Devonshire

1827

Josiah Henshall The Forum Romanum

Print made by Josiah Henshall, 1806–1869, British

The Forum Romanum

1830

James Ward A Satyr's Head

James Ward, 1769–1859, British

A Satyr's Head

1836

John Varley River Landscape with Two Figures, Lake and Distant Mountains

John Varley, 1778–1842, British

River Landscape with Two Figures, Lake and Distant Mountains

undated

Richard Wilson Ruined Temple of Minerva?, Two Figures on River Bank

Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

Ruined Temple of Minerva?, Two Figures on River Bank

undated

Daniel Orme Character Studies: A Child, A Man in a Hat, Military Officer

Daniel Orme, 1766–1837, British

Character Studies: A Child, A Man in a Hat, Military Officer

undated

Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast

Samuel Owen, 1768–1857, British

Sailing Ships and Small Boats in Rough Sea off the Coast

undated

Monro School Fanali di Villa Franca

Monro School

Fanali di Villa Franca

ca. 1795

William Henry Pyne Cottage and Foot Bridge

William Henry Pyne, 1769–1843, British

Cottage and Foot Bridge

1794

unknown artist Landscape with River and Cliffs

unknown artist, nineteenth century

Landscape with River and Cliffs

undated

unknown artist Interior of Stone Building

unknown artist, nineteenth century

Interior of Stone Building

undated

Benjamin Robert Haydon Studies of Napoleon, arms folded, with other figures

Benjamin Robert Haydon, 1786–1846, British

Studies of Napoleon, arms folded, with other figures

undated

Julius Caesar Ibbetson Woodcutter and His Family

Julius Caesar Ibbetson, 1759–1817, British

Woodcutter and His Family

undated

Samuel Howitt A Bull and a Rabbit

Samuel Howitt, 1756–1822, British

A Bull and a Rabbit

undated

Samuel Howitt The Bear and the Bee-Hives

Samuel Howitt, 1756–1822, British

The Bear and the Bee-Hives

undated

John Martin Landscape with Tower and Approaching Storm

John Martin, 1789–1854, British

Landscape with Tower and Approaching Storm

undated

William Miller Clovelly Bay and Lundy Island

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

James C. Allen Addingham Mill on the Warfe

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821