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Francis Danby Oberon and Titania
Francis Danby, 1793–1861, Irish
Oberon and Titania
1837
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
1874
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851, British
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
George Romney The Indian Woman
George Romney, 1734–1802, British
The Indian Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802, British
The Indian Woman
undated
George Romney The Indian Woman
George Romney, 1734–1802, British
The Indian Woman
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802, British
Two Sketches of a Nude Woman
undated
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827, British
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828, British
Untitled (one of three)
undated
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815, British
Cottage at Diss
1811
Robert Dixon Sketch at Mulbarton
Robert Dixon, 1780–1815, British
Sketch at Mulbarton
between 1810 and 1811
Robert Dixon Remains of the Priory, Beeston Regis
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811, British
The Battle of the Cataplasm
between 1773 and 1817
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
John Copley Trio
Print made by John Copley, 1875–1950, British
Trio
1940
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874, British
Street Scene at Stratford by Bow
undated
Richard Parkes Bonington Study of a Seated Woman
Richard Parkes Bonington, 1802–1828, British
Study of a Seated Woman
undated
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
Cornelius Varley Studies of Boats, Figures, Carts, and Buildings
Cornelius Varley, 1781–1873, British
Studies of Boats, Figures, Carts, and Buildings
undated
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809, British
Couple in a Farmyard
1782
Sir David Wilkie La Mancha
Sir David Wilkie, 1785–1841, British
La Mancha
1828
Augustus Edwin John Head of a Woman (The Artist's First Wife?)
Augustus Edwin John, 1878–1961, British
Head of a Woman (The Artist's First Wife?)
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801, British
Hero and Leander
1801
James Hook A Regency Pair
James Hook, ca. 1772–1828, British
A Regency Pair
1802
Sir Francis Grant A Lady Painting
Sir Francis Grant, 1803–1878, British
A Lady Painting
1837
Laura Sylvia Gosse Woman in Bed
Laura Sylvia Gosse, 1881–1968, British
Woman in Bed
ca. 1920
Samuel Howitt A Goose and a Baboon
Samuel Howitt, 1756–1822, British
A Goose and a Baboon
undated
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845, British
Pale Melancholy
ca. 1804
Cornelius Varley Evening
Cornelius Varley, 1781–1873, British
Evening
1828
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
unknown artist Brighton Town and Church
unknown artist
Brighton Town and Church
ca. 1780
James Baynes Extensive wooded landscape with figures in foreground left
James Baynes, 1766–1837, British
Extensive wooded landscape with figures in foreground left
Undated
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene III
ca. 1802
Alfred Edward Chalon A Dancer
Alfred Edward Chalon, 1780–1860, British
A Dancer
ca. 1836
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841, British
Scene from Quentin Durward
1833
unknown artist Study of a Seated Woman Holding a Fan
unknown artist, eighteenth century
Study of a Seated Woman Holding a Fan
ca. 1740
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Study of a Seated Lady
ca. 1740
Gwen John Head of a Young Woman
Gwen John, 1876–1939, British
Head of a Young Woman
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897, British
Enter Malvolio, Crossgartered..
1863
James Gillray A London Street Crier
James Gillray, 1756–1815, British
A London Street Crier
undated
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801, British
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804, British
Wooded Landscape with Figures Round a Cooking Pot
1793
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844, British
Faust and Margaret
undated
George Henry Harlow Hecate
George Henry Harlow, 1787–1819, British
Hecate
1815
Sir George Hayter Portrait Study of Martha, Lady Hayter
Sir George Hayter, 1792–1871, British
Portrait Study of Martha, Lady Hayter
1863
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
Samuel Jackson Romantic Landscape
Samuel Jackson, 1794–1869, British
Romantic Landscape
ca. 1830
Ronald Ossory Dunlop Wallis Simpson, Duchess of Windsor
Ronald Ossory Dunlop, 1894–1973, British
Wallis Simpson, Duchess of Windsor
undated
John Frederick Lewis A Greek Girl Standing on a Balcony
John Frederick Lewis, 1804–1876, British
A Greek Girl Standing on a Balcony
1840
William Mulready Woman with Ringlets, Standing
William Mulready, 1786–1863, Irish
Woman with Ringlets, Standing
1824
William Mulready The Fight Interrupted
William Mulready, 1786–1863, Irish
The Fight Interrupted
undated
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852, British
The Monnow Bridge, Monmouthshire
before 1814
James Pollard The Meat Market
James Pollard, 1792–1867, British
The Meat Market
undated
James Pollard The Poultry Market
James Pollard, 1792–1867, British
The Poultry Market
undated
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809, British
London Cries: Last Dying Speech and Confession
ca. 1759
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809, British
Italianate Landscape with Travellers no. 2
ca. 1760
James Ward Back View of Country Woman in Hat and Shawl
James Ward, 1769–1859, British
Back View of Country Woman in Hat and Shawl
undated
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864, British
The Lecture House, Watford
ca. 1820