Print made by Richard Parkes Bonington, 1802–1828, British
Untitled (one of three)
undated
8
Print made by Richard Parkes Bonington, 1802–1828, British
Untitled (one of three)
undated
9
Print made by John Sell Cotman, 1782–1842, British
Column at Yarmouth to the Memory of Lord Nelson
1817
10
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
11
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
12
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
13
Thomas Shotter Boys, 1803–1874, British
Queen Anne Boleyn's Room, Windsor Castle
undated
14
Richard Parkes Bonington, 1802–1828, British
Study of a Seated Woman
undated
15
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
16
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
17
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
18
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
19
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
20
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
21
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
22
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
23
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
24
Samuel Howitt, 1756–1822, British
Polecat
ca. 1817
25
Samuel Howitt, 1756–1822, British
North American Lynx
ca. 1817
26
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
27
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
28
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
29
John Frederick Tayler, 1802–1889, British
A Fruit Stall in a Market
undated
30
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
31
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
32
Print made by Samuel Middiman, ca. 1750–1831, British
Hardraw Fall
1817
33
Sir Edwin Henry Landseer, 1802–1873, British
Three Sheep at Rest
undated
34
William Heath, 1795–1840, British
An Episode at the Battle of Waterloo
1817
35
William Henry Hunt, 1790–1864, British
Interior of the Belfry, Bushey Church
ca. 1822
36
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
37
Alexander Monro, 1802–1844
Knaresborough
undated
38
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
39
John Linnell, 1792–1882, British
Tythrop
1817
40
Print made by William Bernard Cooke, 1778–1855, British
Plymouth from Mount Batten
1817
41
Print made by William Bernard Cooke, 1778–1855, British
Martello Towers at Bexhill
1817
42
Print made by William Bernard Cooke, 1778–1855, British
Martello Towers at Bexhill
1817
43
Print made by W. R. Smith, active 1819–1851
Rosslyn Castle
ca. 1822
44
John Frederick Tayler, 1802–1889, British
Stable Boy with Cart Horses
undated
45
Richard Parkes Bonington, 1802–1828, British
Study of a Woman with her Head on her Hand
undated
46
William Henry Hunt, 1790–1864, British
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
47
Thomas Lound, 1802–1861, British
The Keep and Gate, Ludlow Castle, Shropshire
undated
48
Richard Parkes Bonington, 1802–1828, British
Palais de Justice, Rouen
undated
49
John Chessell Buckler, 1793–1894, British
South East View of the Church and Palace at Croydon, Surrey
1817
50
Richard Parkes Bonington, 1802–1828, British
A Seascape
undated
51
Richard Parkes Bonington, 1802–1828, British
A Wooded Stream and a Farmhouse in Normandy
undated
52
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
53
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
54
Thomas Shotter Boys, 1803–1874, British
A Christening
undated
55
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
56
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
57
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
58
Alexander Monro, 1802–1844
Porchester Castle
undated
59
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
60
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
61
Print made by William Bernard Cooke, 1778–1855, British
Plymouth, with Mount Batten
1817
62
Print made by William Bernard Cooke, 1778–1855, British
Plymouth, from Mount Batten
1817
63
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham, Replication of Right Half
1817
64
Thomas Shotter Boys, 1803–1874, British
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
65
Thomas Shotter Boys, 1803–1874, British
The Footbridge
undated
66
Thomas Rowlandson, 1756–1827, British
A Tub Thumper
between 1817 and 1820
67
Thomas Shotter Boys, 1803–1874, British
Courtyard of an Inn on the Thames
undated
68
Thomas Shotter Boys, 1803–1874, British
Landscape with Windmills
undated
69
Henry Edridge, 1769–1821, British
Terrace at St. Germain-en-Laye
between 1817 and 1819
70
Francis Oliver Finch, 1802–1862, British
Landscape with a Temple and Figures by a River
undated
71
Francis Oliver Finch, 1802–1862, British
Valley of Rocks, Lynton, North Devon
undated
72
Hon. Henrietta Anne Fortescue, ca. 1765–1841, British
Cascatella, Tivoli, 1817
1817
73
Hon. Henrietta Anne Fortescue, ca. 1765–1841, British
Near the Scuola de Virgilio
1817
74
Thomas Rowlandson, 1756–1827, British
The Family Picture
1817
75
John Frederick Tayler, 1802–1889, British
Six Foxhounds Resting
undated
76
Sir Edwin Henry Landseer, 1802–1873, British
Huntsman with Hounds
undated
77
possibly John Frederick Tayler, 1802–1889, British
Hunting Scene: The Meet
undated
78
John Frederick Tayler, 1802–1889, British
Study of a Startled Horse
undated
79
James Ward, 1769–1859, British
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
80
Sir Edwin Henry Landseer, 1802–1873, British
A Herd of Deer Grazing in a Park
undated
81
Sir Edwin Henry Landseer, 1802–1873, British
An Irish Wolfhound
undated
82
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
83
John Buckler FSA, 1770–1851, British
North East View of Harlaxton Manor House, Lincolnshire
1817
84
John Buckler FSA, 1770–1851, British
North West View of Harlaxton Manor House, Lincolnshire
1817
85
John Buckler FSA, 1770–1851, British
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
86
John Buckler FSA, 1770–1851, British
Samlesbury hall; Lancashire
1817
87
John Buckler FSA, 1770–1851, British
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
88
John Buckler FSA, 1770–1851, British
South West View of Burleigh House
1817
89
Print made by William Thomas Fry, 1789–1843, British
Martin Archer Shee, Esq., R. A
1817
90
Attributed to Sir Edwin Henry Landseer, 1802–1873, British
Sheep Dog Sleeping
undated
91
John Frederick Tayler, 1802–1889, British
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
92
Attributed to John Frederick Tayler, 1802–1889, British
Four Hooded Falcons
undated
93
style of Sir Edwin Henry Landseer, 1802–1873, British
A Dappled Horse in a Stable
undated
94
John Frederick Tayler, 1802–1889, British
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
95
John Buckler FSA, 1770–1851, British
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
96
John Buckler FSA, 1770–1851, British
North Front of Belton house Lincolnshire
1817
97
John Buckler FSA, 1770–1851, British
Flower Garden at Belton, Lincolnshire
1817
98
John Buckler FSA, 1770–1851, British
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham