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Topic subjectplace ss Italy

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Rome from San Spirito
Creator:
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
undated
Medium:
Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851, British
Date:
ca. 1825
Medium:
Mezzotint, with graphite and white chalk; trial proof
Dimensions:
Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Falls at Tivoli
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
between 1752 and 1757
Medium:
Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/4 x 14 1/8 inches (23.5 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arbra Sacra on the Banks of Lake Nemi
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
between 1754 and 1756
Medium:
Black chalk and white chalk on moderately thick, moderately textured, greened white laid paper
Dimensions:
Sheet: 15 5/16 × 22 inches (38.9 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Via Nomentana
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
1754
Medium:
Black and white chalk with stumping on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Minerva Medica, Rome
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
1754
Medium:
Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:
Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian sketchbook
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
1754
Medium:
Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Menaggio, Corpus Domini
Creator:
Hercules Brabazon Brabazon, 1821–1906, British
Date:
undated
Medium:
Pastel, graphite, black chalk and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Castallemare
Creator:
William Leighton Leitch, 1804–1883, British
Date:
1836
Medium:
Graphite and white chalk on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 13 3/4in. (24.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1842
Medium:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Ruins
Creator:
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Date:
undated
Medium:
Gray wash, black wash, brown wash, black chalk, graphite and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 x 18 1/8 inches (40.6 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund