Medium: watercolor / Subject Terms: destruction - YCBA Collections Search Search Results

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Medium watercolor

Subject Terms destruction

1. The Destruction of Sodom and Gomorrah

The Destruction of Sodom and Gomorrah

Creator:: unknown artist, nineteenth century
Date:: undated
Medium:: Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Destruction of Pompeii

The Destruction of Pompeii

Creator:: David Roberts, 1796–1864, British
Date:: undated
Medium:: Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. A Street in Asiago

A Street in Asiago

Creator:: Martin Hardie, 1875–1952, British
Date:: 1918
Medium:: watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

4. The Destruction of Job's Sons

The Destruction of Job's Sons

Creator:: circle of John Linnell, 1792–1882, British
Date:: undated
Medium:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Spectrum Dioneum

No cover image available

Creator:: Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:: 1768
Medium:: Etching with hand coloring in watercolor
Dimensions:: Frame: 34 1/2 × 30 3/4 × 1 1/4 inches (87.6 × 78.1 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968