Medium: watercolor / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 33 - YCBA Collections Search Search Results

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Medium watercolor

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 33

Joseph Mallord William Turner Autumn Sowing of the Grain

Joseph Mallord William Turner, 1775–1851, British

Autumn Sowing of the Grain

ca. 1794

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827, British

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Luigi Balugani Najel

Luigi Balugani, 1737–1770, Italian

Najel

undated

James Ward A Brown long-eared bat (Plecotus auritus)

James Ward, 1769–1859, British

A Brown long-eared bat (Plecotus auritus)

undated

Rev. William Henry Barnard The River at Dusk, Oxford

Rev. William Henry Barnard, 1767–1818, British

The River at Dusk, Oxford

1792

James Duffield Harding Lyons from Quayside on the Rhone

James Duffield Harding, 1798–1863, British

Lyons from Quayside on the Rhone

ca. 1824

Albert Fleetwood Varley Swan Lake, Craven Hill, Bayswater

Albert Fleetwood Varley, 1804–1876, British

Swan Lake, Craven Hill, Bayswater

undated

William Frome Smallwood Coutances Cathedral

William Frome Smallwood, 1806–1834, British

Coutances Cathedral

undated

Thomas Shotter Boys The Pont des Arts, Paris

Thomas Shotter Boys, 1803–1874, British

The Pont des Arts, Paris

between 1831 and 1837

unknown artist Old House beside a Pool

unknown artist

Old House beside a Pool

ca. 1810

William Henry Pyne Old London, View from St. James Park Looking East

William Henry Pyne, 1769–1843, British

Old London, View from St. James Park Looking East

undated

Robert Bremmel Schnebbelie The Whittington Stone by Moonlight

Robert Bremmel Schnebbelie, active 1803–1849

The Whittington Stone by Moonlight

undated

John Thomas Serres Rochester

John Thomas Serres, 1759–1825, British

Rochester

undated

Sir George Hayter The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

Sir George Hayter, 1792–1871, British

The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water

1835

Sir George Hayter A Capriccio of Windsor Castle

Sir George Hayter, 1792–1871, British

A Capriccio of Windsor Castle

1827

Samuel Howitt A Bulldog

Samuel Howitt, 1756–1822, British

A Bulldog

after 1815

Theodore Jacobsen The Chapel of the Foundling Hospital, London

Attributed to Theodore Jacobsen, died 1772, British

The Chapel of the Foundling Hospital, London

undated

William James Muller Pines on Hampstead Heath

William James Muller, 1812–1845, British

Pines on Hampstead Heath

1842

James Wyatt Cobham Hall, Kent: Drawings of Windows for Parlor Floor

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Drawings of Windows for Parlor Floor

ca. 1790

George Shepheard The Village of Aldbury, Hertfordshire

George Shepheard, ca. 1770–1842, British

The Village of Aldbury, Hertfordshire

1816

unknown artist Chamaeler Chamaeleon

unknown artist, ( Italian School )

Chamaeler Chamaeleon

undated

William Henry Hunt Aldenham Church

William Henry Hunt, 1790–1864, British

Aldenham Church

ca. 1817

William Henry Hunt Interior of the Belfry, Bushey Church

William Henry Hunt, 1790–1864, British

Interior of the Belfry, Bushey Church

ca. 1822

unknown artist Bombie Mill, Bombie, Tongue of Bombie

unknown artist

Bombie Mill, Bombie, Tongue of Bombie

undated

unknown artist Mountainous Landscape

unknown artist, nineteenth century

Mountainous Landscape

undated

John Chessell Buckler Costessy Hall, Norfolk

John Chessell Buckler, 1793–1894, British

Costessy Hall, Norfolk

1831

James Wyatt Goodwood, West Sussex: Ceiling Design

James Wyatt, 1746–1813, British

Goodwood, West Sussex: Ceiling Design

undated

Humphry Repton Sarsden House and Gardens, Oxfordshire: Bird's-eye View

Humphry Repton, 1752–1818, British

Sarsden House and Gardens, Oxfordshire: Bird's-eye View

ca. 1795

William Hayes A Crane

William Hayes, active 1775–1794, British

A Crane

1791

Moses Griffith The Beautiful Vale and Mowddach River, Merionethshire

Moses Griffith, 1747–1819, British

The Beautiful Vale and Mowddach River, Merionethshire

1805

George Howse Moat at the Tower of London

George Howse, 1800–1860

Moat at the Tower of London

undated

James Bruce Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit

James Bruce, 1730–1794, British

Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit

undated

Paul Sandby Design for a Church. Elevation of West Front

attributed to Paul Sandby, 1731–1809, British

Design for a Church. Elevation of West Front

undated

Alfred Gomersal Vickers Shipping off the Isle of Wight

Alfred Gomersal Vickers, 1810–1837, British

Shipping off the Isle of Wight

undated

William Callow View of Paris from Charenton

William Callow, 1812–1908, British, active in France

View of Paris from Charenton

1834

William Parrott Notre Dame, Paris

William Parrott, 1813–ca. 1869, British

Notre Dame, Paris

1842

Godfrey Thomas Vigne Clifton Mount

Godfrey Thomas Vigne, 1801–1863, British

Clifton Mount

undated

Godfrey Thomas Vigne Tucumán, Argentina

Godfrey Thomas Vigne, 1801–1863, British

Tucumán, Argentina

1854

James Sowerby A Bird

James Sowerby, 1756–1822, British

A Bird

undated

Charles Hamilton Smith Views of Polar Regions

Charles Hamilton Smith, 1776–1859, Belgian

Views of Polar Regions

undated

Thomas Rowlandson Soldiers Carousing at an Inn

Thomas Rowlandson, 1756–1827, British

Soldiers Carousing at an Inn

undated

Thomas Rowlandson Two Coaches - Travelling in France?

Thomas Rowlandson, 1756–1827, British

Two Coaches - Travelling in France?

undated

Thomas Rowlandson The Inn Door (A Man escorted by two link boys to a door to the left)

Thomas Rowlandson, 1756–1827, British

The Inn Door (A Man escorted by two link boys to a door to the left)

undated

Thomas Girtin Country House

Thomas Girtin, 1775–1802, British

Country House

ca. 1797

David Roberts The Great Temple of Amon Karnak, The Hypostyle Hall

David Roberts, 1796–1864, British

The Great Temple of Amon Karnak, The Hypostyle Hall

1838

Sir Jeffry Wyatville Cottage at Belton House, Lincolnshire: Plan, Section and Elevations

Studio of Sir Jeffry Wyatville, 1766–1840, British

Cottage at Belton House, Lincolnshire: Plan, Section and Elevations

undated

Francis Towne Werrington Park, Devonshire

attributed to Francis Towne, 1740–1816, British

Werrington Park, Devonshire

undated

Henry Edridge Portrait of an Indian Prince

Henry Edridge, 1769–1821, British

Portrait of an Indian Prince

undated

Capt. Francis Grose Hampton Court Church

Capt. Francis Grose, 1731–1791, British

Hampton Court Church

undated

Heneage Finch fourth Earl of Aylesford Ruined Archway with a Line of Washing, possibly in Rome

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Ruined Archway with a Line of Washing, possibly in Rome

after 1771

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820, British

The Apparition of the Armed Head: Macbeth

ca. 1781

unknown artist Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

unknown artist, (English School "S.M' x.")

Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

between 1713 and 1718

George Denholm Armour Taking a Fence Side-Saddle

George Denholm Armour, 1864–1949, British

Taking a Fence Side-Saddle

undated