Medium: watercolor / Collection: Prints and Drawings / Subject Terms: clouds - YCBA Collections Search Search Results

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Medium watercolor

Collection Prints and Drawings

Subject Terms clouds

John Constable Stoke Poges Church

John Constable, 1776–1837, British

Stoke Poges Church

1834

Samuel Palmer Sunset

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Sunset

ca. 1861

Samuel Palmer The Bright Cloud

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bright Cloud

undated

Samuel Palmer Timber Wagon Crossing a Stream

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Timber Wagon Crossing a Stream

undated

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Joseph Mallord William Turner View of Ely Cathedral

Joseph Mallord William Turner, 1775–1851, British

View of Ely Cathedral

ca. 1796

Joseph Mallord William Turner Corsica

Joseph Mallord William Turner, 1775–1851, British

Corsica

between 1830 and 1835

Joseph Mallord William Turner Fishing Boats Becalmed off le Havre

Joseph Mallord William Turner, 1775–1851, British

Fishing Boats Becalmed off le Havre

undated

Joseph Mallord William Turner Ship Aground Brighton

Joseph Mallord William Turner, 1775–1851, British

Ship Aground Brighton

1830

Joseph Mallord William Turner Carlisle

Joseph Mallord William Turner, 1775–1851, British

Carlisle

ca. 1832

Joseph Mallord William Turner Ingleborough from Chapel-Le-Dale

Joseph Mallord William Turner, 1775–1851, British

Ingleborough from Chapel-Le-Dale

between 1810 and 1815

Joseph Mallord William Turner Rheinfels Looking to Katz and Gourhausen

Joseph Mallord William Turner, 1775–1851, British

Rheinfels Looking to Katz and Gourhausen

1817

Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire

Joseph Mallord William Turner, 1775–1851, British

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix

Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, in the Valley of Chamonix

1803

Joseph Mallord William Turner A Paddle-steamer in a Storm

Joseph Mallord William Turner, 1775–1851, British

A Paddle-steamer in a Storm

ca. 1841

Joseph Mallord William Turner A Great Tree

Joseph Mallord William Turner, 1775–1851, British

A Great Tree

ca. 1796

Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire

Joseph Mallord William Turner, 1775–1851, British

Evening Landscape with Castle and Bridge in Yorkshire

between 1798 and 1799

Joseph Mallord William Turner Crichton Castle (Mountainous Landscape with a Rainbow)

Joseph Mallord William Turner, 1775–1851, British

Crichton Castle (Mountainous Landscape with a Rainbow)

ca. 1818

Joseph Mallord William Turner Near Grindelwald

Joseph Mallord William Turner, 1775–1851, British

Near Grindelwald

ca. 1796

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851, British

St. Augustine's Gate, Canterbury

between 1792 and 1793

Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Joseph Mallord William Turner Andernach

Joseph Mallord William Turner, 1775–1851, British

Andernach

1817

Joseph Mallord William Turner Windsor

Joseph Mallord William Turner, 1775–1851, British

Windsor

ca. 1798

Joseph Mallord William Turner Lost to All Hope the Brig

Joseph Mallord William Turner, 1775–1851, British

Lost to All Hope the Brig

between 1845 and 1850

Joseph Mallord William Turner Mountain Landscape with Lake

Joseph Mallord William Turner, 1775–1851, British

Mountain Landscape with Lake

ca. 1842

Joseph Mallord William Turner In the Valley Near Vietri

Joseph Mallord William Turner, 1775–1851, British

In the Valley Near Vietri

ca. 1794

Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat

Joseph Mallord William Turner, 1775–1851, British

A Sea Piece - A Rough Sea with a Fishing Boat

1820 to 1830

Joseph Mallord William Turner Landscape with Trees and Figures

Joseph Mallord William Turner, 1775–1851, British

Landscape with Trees and Figures

ca. 1796

Joseph Mallord William Turner Christ Church Gate, Canterbury

Joseph Mallord William Turner, 1775–1851, British

Christ Church Gate, Canterbury

1793 to 1794

Joseph Mallord William Turner Coast Scene with White Cliffs and Boats on Shore

Joseph Mallord William Turner, 1775–1851, British

Coast Scene with White Cliffs and Boats on Shore

undated

Edward Lear Maharraka Temple

Edward Lear, 1812–1888, British

Maharraka Temple

February 14, 1867

Edward Lear Near Beer El Abt, 4:30 pm, 28 March 1867 (23)

Edward Lear, 1812–1888, British

Near Beer El Abt, 4:30 pm, 28 March 1867 (23)

1867

Edward Lear Near Beer El Abt

Edward Lear, 1812–1888, British

Near Beer El Abt

1867

Edward Lear Indian River Landscape

Edward Lear, 1812–1888, British

Indian River Landscape

1874

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827, British

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 2, Title Page

1793

William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 77, "To the Christians...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827, British

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

1794

William Blake Visions of the Daughters of Albion, Plate 2, Title Page

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 2, Title Page

1793

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

Thomas Girtin Ruins on the Coast

Thomas Girtin, 1775–1802, British

Ruins on the Coast

undated

William Callow Notre Dame, Paris

William Callow, 1812–1908, British, active in France

Notre Dame, Paris

1835