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1. Aubertus Miræus

Aubertus Miræus
Creator:
Print made by Paulus Pontius, 1603–1658, Flemish
Date:
ca. 1635
Medium:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 7 1/2 inches (27 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Medium:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Tom Jones Assisting Molly Seagrim

Tom Jones Assisting Molly Seagrim
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1782
Medium:
Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

4. Mrs. W. West as Cordelia

Mrs. W. West as Cordelia
Creator:
Print made by Thomas A. Woolnoth, 1785–1857, British
Date:
1820
Medium:
Stipple engraving on medium cream slithtly textured wove paper
Dimensions:
Overall: 6 3/8 × 3 3/4 inches (16.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

5. "This is fairy gold, boy, and will prove so"

"This is fairy gold, boy, and will prove so"
Creator:
James Heath, 1757–1834, British
Date:
1804
Medium:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1773
Medium:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Creator:
Print made by Charles Gauthier Playter, died 1809
Date:
1793
Medium:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Twelfth Night, Act V, Scene I: The Street

Twelfth Night, Act V, Scene I: The Street
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1803
Medium:
Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Twelfth Night, Act III, Scene IV: Olivia's House

Twelfth Night, Act III, Scene IV: Olivia's House
Creator:
Thomas Ryder, 1746–1810, Irish
Date:
1803
Medium:
Stipple engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Creator:
Print made by Robert Thew, 1758–1802, British
Date:
1801
Medium:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Medium:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802, British
Date:
1792
Medium:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Creator:
Print made by Robert Thew, 1758–1802, British
Date:
1789
Medium:
Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1786
Medium:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

16. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

17. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

18. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

19. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

20. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011, British
Date:
1990
Medium:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

21. In Horne's House

In Horne's House
Creator:
Print made by Richard Hamilton, 1922–2011, British
Date:
1982
Medium:
Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

22. Sophia, Honour, and the Chambermaid

Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815, British
Date:
1780
Medium:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1773
Medium:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1773
Medium:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Cordelia

Cordelia
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1784
Medium:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

27. Mrs. Siddons, in the Character of the Tragic Muse

Mrs. Siddons, in the Character of the Tragic Muse
Creator:
Print made by Francis Haward, 1759–1797, British
Date:
1787
Medium:
Mezzotint, etching and stipple engraving (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Medium:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Queen Katherine's Dream - "Henry VIII"

Queen Katherine's Dream - "Henry VIII"
Creator:
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving
Dimensions:
Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Ophelia: There Is Rue for You and Here's Some for Me

Ophelia: There Is Rue for You and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1784
Medium:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 8 7/8 inches (28.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Hamlet in Scotland

Hamlet in Scotland
Creator:
Print made by Robert Dighton, 1752–1814, British
Date:
1794
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. "Hubert, let me not be bound!"

"Hubert, let me not be bound!"
Creator:
James Heath, 1757–1834, British
Date:
1802
Medium:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
Creator:
James Heath, 1757–1834, British
Date:
1802
Medium:
Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

34. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842, British
Date:
1811
Medium:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. "Then go, bid the huntsmen wake them with their horns"

"Then go, bid the huntsmen wake them with their horns"
Creator:
James Heath, 1757–1834, British
Date:
1802
Medium:
Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
Creator:
James Heath, 1757–1834, British
Date:
1802
Medium:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
Creator:
William Nutter, 1754–1802, British
Date:
1789
Medium:
Stipple engraving, etching, and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/16 x 16 1/4 inches (56.1 x 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. "Tempest", Act I, Scene I

"Tempest", Act I, Scene I
Creator:
Benjamin Smith, 1775–1833, British
Date:
1797
Medium:
Line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 25 7/8 inches (50.8 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The Three Witches

The Three Witches
Creator:
Peltro W. Tomkins, 1760–1840, British
Date:
1786
Medium:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 10 3/16 inches (24.2 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Falstaff and his Friends

Falstaff and his Friends
Creator:
William Greatbach, Born 1802, British
Date:
ca. 1868
Medium:
Etching and stipple engraving on moderately thick, smooth, cream card
Dimensions:
Sheet: 8 7/8 × 11 inches (22.5 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Creator:
Print made by Thomas Gaugain, 1748–1812, French
Date:
1797
Medium:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812, French
Date:
1797
Medium:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Creator:
Print made by Thomas Gaugain, 1748–1812, French
Date:
1797
Medium:
Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. "Mark your divorce young sir, whom son I dare not call"

"Mark your divorce young sir, whom son I dare not call"
Creator:
James Heath, 1757–1834, British
Date:
1804
Medium:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Creator:
Robert Thew, 1758–1802, British
Date:
1803
Medium:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Tempest, Act V, Scene I

The Tempest, Act V, Scene I
Creator:
Print made by Caroline Watson, 1760–1814, British
Date:
1795
Medium:
Mezzotint and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Shakespeare's Tempest Act IV Scene I. Prospero's Cell.

Shakespeare's Tempest Act IV Scene I. Prospero's Cell.
Creator:
Robert Thew, 1758–1802, British
Date:
1800
Medium:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Little Red Riding Hood

Little Red Riding Hood
Creator:
Print made by imitator of George Baxter, 1804–1867, British
Date:
after 1856
Medium:
Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Lovelace in Prison

Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Miss Anna Brunton

Miss Anna Brunton
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1785
Medium:
Stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 3 7/8 inches (14.9 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Tancred and Clorinda

Tancred and Clorinda
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1785
Medium:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 9 3/16 inches (28.3 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Alphonso and Aciloe

Alphonso and Aciloe
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1779
Medium:
Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
before 1786
Medium:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 8 7/16 inches (27.8 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Griselda Returning to her Father

Griselda Returning to her Father
Creator:
Print made by Amedeo Gabrielli, 1749–1817
Date:
after 1785
Medium:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 x 13 inches (43.4 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Gualtherus and Griselda

Gualtherus and Griselda
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1784
Medium:
Stipple engraving on medium, mdoerately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 9 5/16 inches (31.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Death of Cora

The Death of Cora
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1782
Medium:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Ophelia: There's Rue for You, and Here's Some for Me

Ophelia: There's Rue for You, and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1784
Medium:
Stipple engraving and etching on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 8 9/16 inches (27.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection