Medium: stipple engraving / Genre: literary theme - YCBA Collections Search Search Results

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Prospero Disarming Ferdinand, Act I, Scene II

1793

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

William Finden, 1787–1852, British

An Arabesque

1834

William Finden, 1787–1852, British

An Arabesque

1834

William Finden, 1787–1852, British

A Voyage of Discovery

1834

William Finden, 1787–1852, British

The Mask

1834

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tom Jones Assisting Molly Seagrim

1782

William Finden, 1787–1852, British

Shepherds

1834

William Finden, 1787–1852, British

Lady Jane Grey

1834

William Finden, 1787–1852, British

The Bird's Nest

1834

William Finden, 1787–1852, British

Children Swinging

1834

William Finden, 1787–1852, British

An Alcove

1834

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Jane Shore

1790

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Adelaide

1798

Print made by Thomas A. Woolnoth, 1785–1857, British

Mrs. W. West as Cordelia

1820

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Fonrose

1798

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder, 1746–1810, Irish

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Print made by Robert Thew, 1758–1802, British

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Robert Thew, 1758–1802, British

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Robert Thew, 1758–1802, British

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

John Henderson as Iago

1786

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Concert Ticket For The Benefit of Madame Banti

1795

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

1783

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by George Vertue, 1684–1756, British

William Cavendish of Newcastle

1739

after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41)

William Cavendish, Duke of Newcastle

1836

Print possibly made by George Vertue, 1684–1756, British

William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North

1713

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

undated

Print made by George Vertue, 1684–1756, British

William Cavendish, Duke of Newcastle

1739

Print made by Richard Hamilton, 1922–2011, British

How a Great Daily Organ is Turned Out

1990

Print made by Richard Hamilton, 1922–2011, British

In Horne's House

1982

Print made by Jacobus Houbraken, 1698–1780, Dutch

Sir Kenelm Digby

1748

James Gillray, 1756–1815, British

Sophia, Honour, and the Chambermaid

1780

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lauretta

1776

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Hercules and Omphale

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Snuff Box, Calais

1799

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Shepherdess of the Alps

1776

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Hours

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Selim of the Shepherd's Moral

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Dead Ass, Nampont

1799

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lodona

1792

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vede di Mezzo il Fiume un Cavaliero..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

...Scuote, il Lembo Pieno; e Nella Torbida Onda..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lo Corse ad Abbracciare, e a Sargli Sesta..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Angelica, e Medoro in Varj Modi..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

E d'Uccider se Stesso in Pensier Venne..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Stava Ella Nel Sepolcro; e Quivi Attrita..

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World

1778

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis

1778

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Title page: L'Amico' de Fanciulli, Vol. III

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration From Bell's Edition of The Poets of Great Britain

ca. 1785

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill

ca.1785

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ophelia vide Hamlet, Act 4, Scene VII

1794

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Troilus and Cressida, Act 4, Scene II

1794

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

As You Like It, Act IV, Orlando and Oliver

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Coriolanus, Act 5, Scene III

1783

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

1773

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cordelia

1784

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Sappho Embracing Love

1783

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Alexander and Nerina

1784

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Freeing of Amoret

1792

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Deserted Village

1795

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vortigern And Rowena

1788

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tancred and Erminia

1784

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Title page: Depicting Cupid, Venus, and Juno

1782

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond

1780

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet

1785

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cecilia

1783

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745