Medium: stipple engraving / Collection: Prints and Drawings / Subject Terms: children

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

The West India Washer-Women

1779

Print made by Samuel Buck, 1696–1779, British

Bristol High Cross

1734

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

Print made by William Nelson Gardiner, 1766–1814, Irish

November

1788

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Noon

undated

Print made by George Cruikshank, 1792–1878, British

Peg Todd, as Head Nurse

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Night

undated

Print made by William Baillie, 1723–1810, Irish

Captain William Baillie

between 1750 and 1810

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Robert Thew, 1758–1802, British

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Samuel Cousins, 1801–1887, British

The Calmady Children

1835

Print made by Samuel Cousins, 1801–1887, British

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Print made by Charles Wilkin, 1750–1814, British

Here Poor Boy

1796

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Richard Earlom, 1743–1822, British

Embassy of Hyderbeck to Calcutta

1800

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lady Smith and Her Children: George Henry, Louisa, and Charlotte

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

1789

Print made by Samuel Cousins, 1801–1887, British

Lady Acland and Children

1826

William Dickinson, 1746–1823, British

The Relief

1781

William Nutter, 1754–1802, British

Sunday Morning, A Cottage Family Going to Church

1795

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Her Majesty Queen Victoria & Family

ca. 1851

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Print made by William Nelson Gardiner, 1766–1814, Irish

January

1788

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Morning

undated

John Hassell, 1767–1825, British

View of Sion House from the Banks of the Thames

1799

Frederick James Havell, 1801–1840, British

The Stone Bow, Lincoln

1836

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Imitator of George Baxter, 1804–1867, British

The Bride, Paul and Virginia, the Chalees Satoon, East India

after 1850

Print made by George Baxter, 1804–1867, British

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

Print made by George Baxter, 1804–1867, British

The Great Exhibition: Exterior View from the Southwest

1851

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867, British

Pomare, Queen of Tahiti

1845

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Bradshaw & Blacklock, active ca.1850, British

Returning from the Spring. Virginia

after 1850

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Childing Cupid

1784

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Charity

1781

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Chiding Cupid

1784

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cupid Disarmed by Venus

1804

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Virtuous Love

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Daughters of Guercino

1772

William Dickinson, 1746–1823, British

The Deserter

1784

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

August

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Print made by Bradshaw & Blacklock, active ca.1850, British

Turkish Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Scottish Scenes. Albanian Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Scottish Scenes. Albanian Scenes

after 1850

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Princess Charlotte Augusta Matilda

ca. 1797

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Sheep-Sheering

1798

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Medium stipple engraving

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