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Medium red chalk

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1. The Kill

The Kill
Creator:
Robert Polhill Bevan, 1865–1925, British
Date:
undated
Medium:
Black and red chalk on thin, smooth, brown wove paper
Dimensions:
Sheet: 10 3/4 x 17 5/8 inches (27.3 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. Two Prize Fighters

Two Prize Fighters
Creator:
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Date:
ca. 1742
Medium:
Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/2 × 10 inches (24.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Sportsman Loading His Gun

A Sportsman Loading His Gun
Creator:
George Morland, 1763–1804, British
Date:
undated
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 9 1/4in. (35.6 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Knight Falling From His Horse at a Squire's Tilt

Knight Falling From His Horse at a Squire's Tilt
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1809 and 1823
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1822 and 1827
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1822 and 1827
Medium:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Huntsman with Hounds

Huntsman with Hounds
Creator:
Sir Edwin Henry Landseer, 1802–1873, British
Date:
undated
Medium:
Pen and brown ink, red chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Red chalk, with graphite; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 9 5/16 inches (19.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Head of a Tiger

Head of a Tiger
Creator:
James Ward, 1769–1859, British
Date:
undated
Medium:
Black chalk, white chalk, and red chalk on medium, smooth, brown laid paper
Dimensions:
Sheet: 7 3/8 x 8 1/2 inches (18.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and red chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 7/16 inches (21.1 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'

"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 12 3/8 inches (20 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1821
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "Scraps", No. 28: Skittle Alley With Players and Spectators

"Scraps", No. 28: Skittle Alley With Players and Spectators
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1823
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 5/16 inches (17.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse

"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
1823
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1831 and 1832
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1822 and 1827
Medium:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1809 and 1823
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Coursing - After the Kill

Coursing - After the Kill
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Hare Hunting: The Kill

Hare Hunting: The Kill
Creator:
Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664)
Date:
undated
Medium:
Pen and brown ink, and red chalk on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 7/8 × 11 9/16 inches (9.8 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On

A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
Creator:
James Seymour, 1702–1752, British
Date:
undated
Medium:
Red chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 12 1/4 inches (23.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection