John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
107
Samuel De Wilde, 1748–1832, British
Mr. Mathews as Matthew Daw in the School for Friends
1805
108
Samuel De Wilde, 1748–1832, British
A Gentleman, full length, Holding a Paper and Pencil
1795
109
Paul Sandby, 1731–1809, British
Lady in a Bonnet
between 1760 and 1765
110
Sir James Thornhill, 1675–1734, British
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
111
Samuel De Wilde, 1748–1832, British
An Actress
1806
112
Robert Price, 1717–1761, British
A Bridge in a Landscape
undated
113
Sir David Wilkie, 1785–1841, British
Child's Broken Cart and Fiddler's Wife's Arm
1806
114
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
A Dying Hindu Brought to the River Ganges
1788
115
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
116
George Morland, 1763–1804, British
A Sportsman Loading His Gun
undated
117
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Corps de Garde (Barbarians Defeated by a Book)
undated
118
James Ward, 1769–1859, British
Study of the Head of a Ram
undated
119
Allan Ramsay, 1713–1784, British
Head of a Woman
undated
120
unknown artist
An Ornamental Pool and Fountain
ca. 1700
121
Alfred Stevens, 1817–1875, British
Group of Figures, Child Begging in Center
undated
122
Paul Sandby, 1731–1809, British
Two Men, One Holding a Whip
ca. 1754
123
Unknown artist, eighteenth century
Portrait of a Lady
undated
124
Bernard Lens III, 1682–1740, British
Bust of a Woman Looking upwards to left
1703
125
Archibald Rutherford, 1743–1779, British
Portrait of a Man
1774
126
Thomas Patch, 1725–1782, British
Sketchbook of Portrait Studies
1760s
127
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Penitent Magdalene
undated
128
unknown artist
Portrait of Two Men
18th century
129
John Raphael Smith, 1752–1812, British
An Evening Walk
ca. 1783
130
Attributed to Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Study for the Portrait of a Lady
undated
131
William Daniell, 1769–1837, British
John Singleton Copley
between 1804 and 1814
132
Sir Thomas Lawrence, 1769–1830, British
Sir Francis Burdett
After 1808
133
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
Elephants Fighting
between 1784 and 1788
134
Sawrey Gilpin, 1733–1807, British
Study of a tiger
undated
135
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawings of Hands
1650s-1660s
136
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawing of Hands
1650s-1660s
137
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawings of Hands
1650s-1660s
138
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawings of Hands
1650s-1660s
139
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawings of Hands
1650s-1660s
140
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawings of Hands
1650s-1660s
141
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawing of a Hand
1650s-1660s
142
Sir Peter Lely, 1618–1680, Dutch, active in England (from 1643)
Drawing of a Hand
1650s-1660s
143
Peter DeWint, 1784–1849, British
Head of a Girl: Probably a Study of Mrs. De Wint
undated
144
John Opie, 1761–1807, British
Standing Classical Male Figure with Spear
undated
145
Simeon Solomon, 1840–1905, British
Fancy, Cupid and Pleasure
undated
146
John Opie, 1761–1807, British
Standing Classical Female Figure
undated
147
John Downman, 1750–1824, British
Portrait of a Divine Called Reverend John Wesley
ca. 1781
148
John Downman, 1750–1824, British
Portrait of a Lady
undated
149
John Downman, 1750–1824, British
Miss Campbell
1803
150
attributed to John Downman, 1750–1824, British
Portrait of a Girl Holding a Garland
undated
151
Gainsborough Dupont, 1754–1797, British
Lord John Pelham-Clinton, M.P
undated
152
unknown artist
Study of a Female Bust
ca. 1769
153
Francis Cleyn, 1582–1658, German
Dido and Aeneas Sheltering in a Cave
undated
154
William Daniell, 1769–1837, British
Portrait of Sir William Beechey
between 1808 and 1814
155
William Daniell, 1769–1837, British
Portrait of Richard Cosway
between 1808 and 1814
156
William Daniell, 1769–1837, British
Portrait of John Hoppner
between 1808 and 1814
157
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Figures
ca. 1788
158
Prince Hoare, 1755–1834, British
Head of a Young Girl
1780
159
William Hoare, 1706/7–1792/99, British
Young Lady with a Book
undated
160
formerly attributed to Paul Sandby, 1731–1809, British
Head of a Woman, Study for The Bible Lesson
ca. 1743
161
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
162
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Vignette: Figure of Abundance
undated
163
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Shepherds with Flock
undated
164
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Figures in an Interior
undated
165
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
undated
166
William Daniell, 1769–1837, British
Portrait of Ozias Humphrey
between 1808 and 1814
167
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
168
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
A Picnic: Two Ladies and a Gentleman
ca. 1745
169
Thomas Daniell, 1749–1840, British, active in India
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
170
William Daniell, 1769–1837, British
Thomas Hearne
between 1808 and 1814
171
William Daniell, 1769–1837, British
Francis Wheatley
between 1808 and 1814
172
William Daniell, 1769–1837, British
Thomas Banks, the Sculptor
between 1808 and 1814
173
William Daniell, 1769–1837, British
James Northcote
between 1798 and 1819
174
William Daniell, 1769–1837, British
Sir Joseph Banks
between 1808 and 1814
175
William Daniell, 1769–1837, British
John Russell
between 1808 and 1814
176
William Daniell, 1769–1837, British
Portrait of Dr. Latham, M. D
between 1808 and 1814
177
William Daniell, 1769–1837, British
John Inigo Richards
between 1808 and 1814
178
William Daniell, 1769–1837, British
Joseph Farington
between 1808 and 1814
179
William Daniell, 1769–1837, British
Charles Catton, R. A
between 1808 and 1814
180
Sir Thomas Lawrence, 1769–1830, British
Portrait of Miss Lysons
1795
181
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Selling of Cupids
between 1775 and 1776
182
William Hoare, 1706/7–1792/99, British
Seated Lady with Book
undated
183
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
184
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Bust of a Roman Man
undated
185
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
186
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Vignette: The King of France Surrounded by Courtiers
undated
187
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
188
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
189
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Allegorical Landscape
undated
190
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
191
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
192
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
193
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
194
Henry Thomas Alken, 1785–1851, British
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
195
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
196
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
197
Henry Thomas Alken, 1785–1851, British
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
198
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
199
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
200
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'