One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
2
Augustus Edwin John, 1878–1961, British
Self Portrait
ca. 1897
3
John Frederick Lewis, 1804–1876, British
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
4
John Frederick Lewis, 1804–1876, British
A Head Keeper, Windsor Castle, 1826
1826
5
John Frederick Lewis, 1804–1876, British
A Street Scene in Granada on the Day of the Bullfight
1833
6
Edward Francis Burney, 1760–1848, British
Preparatory drawing for The Waltz
1820s
7
Samuel De Wilde, 1748–1832, British
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
8
Sir David Wilkie, 1785–1841, British
Garden of Gethsemane
1841
9
John Hayter, 1800–1895, British
Portrait of a Gentleman
1832
10
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
11
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
12
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
13
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
14
Daniel Maclise, 1806–1870, Irish
Henry Sass
between 1830 and 1835
15
unknown artist, nineteenth century
Woman with Square Hat
undated
16
unknown artist
Man in Egyptian Dress
undated
17
unknown artist, nineteenth century
Head of a Young Woman Looking Left
undated
18
Samuel De Wilde, 1748–1832, British
A Boy with a Basket
1808
19
Sir David Wilkie, 1785–1841, British
A Priest with Two Children
between 1825 and 1828
20
unknown artist, nineteenth century
Two Sleeping Dogs
undated
21
William Henry Hunt, 1790–1864, British
Portrait of a Gentleman
undated
22
David Cox, 1783–1859, British
Cottage in Herefordshire
before August 1820
23
Samuel De Wilde, 1748–1832, British
Mr. Mathews as Matthew Daw in the School for Friends
1805
24
Samuel De Wilde, 1748–1832, British
An Actress
1806
25
Sir David Wilkie, 1785–1841, British
Child's Broken Cart and Fiddler's Wife's Arm
1806
26
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
27
Alfred Stevens, 1817–1875, British
Group of Figures, Child Begging in Center
undated
28
William Daniell, 1769–1837, British
John Singleton Copley
between 1804 and 1814
29
Sir Thomas Lawrence, 1769–1830, British
Sir Francis Burdett
After 1808
30
John Downman, 1750–1824, British
Miss Campbell
1803
31
William Daniell, 1769–1837, British
Portrait of Sir William Beechey
between 1808 and 1814
32
William Daniell, 1769–1837, British
Portrait of Richard Cosway
between 1808 and 1814
33
William Daniell, 1769–1837, British
Portrait of John Hoppner
between 1808 and 1814
34
William Daniell, 1769–1837, British
Portrait of Ozias Humphrey
between 1808 and 1814
35
William Daniell, 1769–1837, British
Thomas Hearne
between 1808 and 1814
36
William Daniell, 1769–1837, British
Francis Wheatley
between 1808 and 1814
37
William Daniell, 1769–1837, British
Thomas Banks, the Sculptor
between 1808 and 1814
38
William Daniell, 1769–1837, British
Sir Joseph Banks
between 1808 and 1814
39
William Daniell, 1769–1837, British
John Russell
between 1808 and 1814
40
William Daniell, 1769–1837, British
Portrait of Dr. Latham, M. D
between 1808 and 1814
41
William Daniell, 1769–1837, British
John Inigo Richards
between 1808 and 1814
42
William Daniell, 1769–1837, British
Joseph Farington
between 1808 and 1814
43
William Daniell, 1769–1837, British
Charles Catton, R. A
between 1808 and 1814
44
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
45
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
46
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
47
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
48
Henry Thomas Alken, 1785–1851, British
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
49
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
50
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
51
Henry Thomas Alken, 1785–1851, British
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
52
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
53
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
54
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
55
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
59
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
60
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
61
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
64
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
65
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
66
Henry Thomas Alken, 1785–1851, British
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
67
Henry Thomas Alken, 1785–1851, British
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
68
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
69
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
70
Sir Edwin Henry Landseer, 1802–1873, British
Huntsman with Hounds
undated
71
Henry Thomas Alken, 1785–1851, British
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
72
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
73
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
74
Hablot Knight Browne, 1815–1882, British
The Shyer suddenly Departs but not in Peace
undated
75
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
76
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
77
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
78
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
79
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
80
Henry Thomas Alken, 1785–1851, British
A Charging Mameluke Firing a Pistol
ca. 1823
81
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
82
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
83
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
84
Henry Thomas Alken, 1785–1851, British
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
85
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
86
Henry Thomas Alken, 1785–1851, British
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
87
Henry Thomas Alken, 1785–1851, British
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
88
Henry Thomas Alken, 1785–1851, British
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
89
Henry Thomas Alken, 1785–1851, British
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
90
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
91
Henry Thomas Alken, 1785–1851, British
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
92
Henry Thomas Alken, 1785–1851, British
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
93
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
94
Henry Thomas Alken, 1785–1851, British
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
95
Henry Edridge, 1769–1821, British
Portrait of Thomas Estcourt Esq. of Estcourt
1806
96
Sir Thomas Lawrence, 1769–1830, British
The Wellesley-Pole Sisters
1814
97
David Cox, 1783–1859, British
Fishing off Hastings
early 1810s
98
David Cox, 1783–1859, British
Panorama Old London Bridge
1820s
99
Charles West Cope, 1811–1890, British
Study of a Boy
undated
100
Alfred Stevens, 1817–1875, British
Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table