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Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Augustus Edwin John Self Portrait
Augustus Edwin John, 1878–1961, British
Self Portrait
ca. 1897
John Frederick Lewis Sheik Hussein of Gebel Tor and His Son
John Frederick Lewis, 1804–1876, British
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
John Frederick Lewis A Head Keeper, Windsor Castle, 1826
John Frederick Lewis, 1804–1876, British
A Head Keeper, Windsor Castle, 1826
1826
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876, British
A Street Scene in Granada on the Day of the Bullfight
1833
Edward Francis Burney Preparatory drawing for The Waltz
Edward Francis Burney, 1760–1848, British
Preparatory drawing for The Waltz
1820s
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832, British
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
Sir David Wilkie Garden of Gethsemane
Sir David Wilkie, 1785–1841, British
Garden of Gethsemane
1841
John Hayter Portrait of a Gentleman
John Hayter, 1800–1895, British
Portrait of a Gentleman
1832
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882, British
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Daniel Maclise Henry Sass
Daniel Maclise, 1806–1870, Irish
Henry Sass
between 1830 and 1835
unknown artist Man in Egyptian Dress
unknown artist
Man in Egyptian Dress
undated
Samuel De Wilde A Boy with a Basket
Samuel De Wilde, 1748–1832, British
A Boy with a Basket
1808
Sir David Wilkie A Priest with Two Children
Sir David Wilkie, 1785–1841, British
A Priest with Two Children
between 1825 and 1828
William Henry Hunt Portrait of a Gentleman
William Henry Hunt, 1790–1864, British
Portrait of a Gentleman
undated
David Cox Cottage in Herefordshire
David Cox, 1783–1859, British
Cottage in Herefordshire
before August 1820
Samuel De Wilde Mr. Mathews as Matthew Daw in the School for Friends
Samuel De Wilde, 1748–1832, British
Mr. Mathews as Matthew Daw in the School for Friends
1805
Samuel De Wilde An Actress
Samuel De Wilde, 1748–1832, British
An Actress
1806
Sir David Wilkie Child's Broken Cart and Fiddler's Wife's Arm
Sir David Wilkie, 1785–1841, British
Child's Broken Cart and Fiddler's Wife's Arm
1806
George Morland Fisherman and Dog Sitting by the Coast
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
Alfred Stevens Group of Figures, Child Begging in Center
Alfred Stevens, 1817–1875, British
Group of Figures, Child Begging in Center
undated
William Daniell John Singleton Copley
William Daniell, 1769–1837, British
John Singleton Copley
between 1804 and 1814
Sir Thomas Lawrence Sir Francis Burdett
Sir Thomas Lawrence, 1769–1830, British
Sir Francis Burdett
After 1808
John Downman Miss Campbell
John Downman, 1750–1824, British
Miss Campbell
1803
William Daniell Portrait of Sir William Beechey
William Daniell, 1769–1837, British
Portrait of Sir William Beechey
between 1808 and 1814
William Daniell Portrait of Richard Cosway
William Daniell, 1769–1837, British
Portrait of Richard Cosway
between 1808 and 1814
William Daniell Portrait of John Hoppner
William Daniell, 1769–1837, British
Portrait of John Hoppner
between 1808 and 1814
William Daniell Portrait of Ozias Humphrey
William Daniell, 1769–1837, British
Portrait of Ozias Humphrey
between 1808 and 1814
William Daniell Thomas Hearne
William Daniell, 1769–1837, British
Thomas Hearne
between 1808 and 1814
William Daniell Francis Wheatley
William Daniell, 1769–1837, British
Francis Wheatley
between 1808 and 1814
William Daniell Thomas Banks, the Sculptor
William Daniell, 1769–1837, British
Thomas Banks, the Sculptor
between 1808 and 1814
William Daniell Sir Joseph Banks
William Daniell, 1769–1837, British
Sir Joseph Banks
between 1808 and 1814
William Daniell John Russell
William Daniell, 1769–1837, British
John Russell
between 1808 and 1814
William Daniell Portrait of Dr. Latham, M. D.
William Daniell, 1769–1837, British
Portrait of Dr. Latham, M. D
between 1808 and 1814
William Daniell John Inigo Richards
William Daniell, 1769–1837, British
John Inigo Richards
between 1808 and 1814
William Daniell Joseph Farington
William Daniell, 1769–1837, British
Joseph Farington
between 1808 and 1814
William Daniell Charles Catton, R. A.
William Daniell, 1769–1837, British
Charles Catton, R. A
between 1808 and 1814
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Henry Thomas Alken, 1785–1851, British
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851, British
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken, 1785–1851, British
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
Sir Edwin Henry Landseer Huntsman with Hounds
Sir Edwin Henry Landseer, 1802–1873, British
Huntsman with Hounds
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851, British
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Hablot Knight Browne The Shyer suddenly Departs but not in Peace
Hablot Knight Browne, 1815–1882, British
The Shyer suddenly Departs but not in Peace
undated
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851, British
A Charging Mameluke Firing a Pistol
ca. 1823
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851, British
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851, British
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851, British
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851, British
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851, British
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851, British
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851, British
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Edridge Portrait of Thomas Estcourt Esq. of Estcourt
Henry Edridge, 1769–1821, British
Portrait of Thomas Estcourt Esq. of Estcourt
1806
Sir Thomas Lawrence The Wellesley-Pole Sisters
Sir Thomas Lawrence, 1769–1830, British
The Wellesley-Pole Sisters
1814
David Cox Fishing off Hastings
David Cox, 1783–1859, British
Fishing off Hastings
early 1810s
David Cox Panorama Old London Bridge
David Cox, 1783–1859, British
Panorama Old London Bridge
1820s
Charles West Cope Study of a Boy
Charles West Cope, 1811–1890, British
Study of a Boy
undated
Alfred Stevens Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
Alfred Stevens, 1817–1875, British
Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
undated
Alfred Stevens Design for a Coat of Arms
Alfred Stevens, 1817–1875, British
Design for a Coat of Arms
undated
Alfred Stevens Study of three figures in Movement
Alfred Stevens, 1817–1875, British
Study of three figures in Movement
undated
David Cox Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
David Cox, 1783–1859, British
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813