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1. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
Creator:
George Stubbs, 1724–1806, British
Date:
between 1795 and 1806
Medium:
Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Fowl Body, Lateral View (Study for key figure to Table X)

Fowl Body, Lateral View (Study for key figure to Table X)
Creator:
George Stubbs, 1724–1806, British
Date:
1795 to 1806
Medium:
Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
Creator:
George Stubbs, 1724–1806, British
Date:
1795 to 1806
Medium:
Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Rocky Valley of Mosta, Malta

Rocky Valley of Mosta, Malta
Creator:
Edward Lear, 1812–1888, British
Date:
1866
Medium:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

5. Borghese Gladiator

Borghese Gladiator
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827, British
Date:
1799 to 1800
Medium:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Great Gate of St. Augustine's Monastery, Canterbury

The Great Gate of St. Augustine's Monastery, Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758, British
Date:
1757
Medium:
Watercolor with pen and gray ink over graphite on thick, textured, cream laid paper on contemporary mount
Dimensions:
Sheet: 8 1/8 × 15 3/16 inches (20.6 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Mother and Two Children

A Mother and Two Children
Creator:
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Date:
1786
Medium:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Mansion House

The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
undated
Medium:
Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Well at Bolonchen, Yucatan

Well at Bolonchen, Yucatan
Creator:
Frederick Catherwood, 1799–1854, British
Date:
1843
Medium:
Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, slightly textured, cream wove paper
Dimensions:
Mount: 20 3/16 × 15 5/16 inches (51.3 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

11. Tivoli

Tivoli
Creator:
William Marlow, 1740–1813, British
Date:
ca. 1768
Medium:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Fountain's Boarding School, Marylebone

Fountain's Boarding School, Marylebone
Creator:
James Miller, active 1773–1814
Date:
1780
Medium:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:
Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 27 3/8 × 19 7/16 inches (69.5 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Barnes Common, June 1836

Barnes Common, June 1836
Creator:
T. E. Jeffers, active 1836
Date:
1836
Medium:
Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Headfort House, Ireland: Ceiling of the Eating Parlor

Headfort House, Ireland: Ceiling of the Eating Parlor
Creator:
Robert Adam, 1728–1792, British
Date:
between 1771 and 1775
Medium:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 15 1/2 inches (31.4 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Spy's Taken at Greenwich on Easter Monday

Spy's Taken at Greenwich on Easter Monday
Creator:
George Moutard Woodward, ca. 1760–1809, British
Date:
undated
Medium:
Pen and ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. London Cries: A Muffin Man

London Cries: A Muffin Man
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1759
Medium:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. London Cries: A Milkmaid

London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1759
Medium:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Design for a Cope

Design for a Cope
Creator:
Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Pen and blue ink on thin, smooth, white fabric
Dimensions:
Sheet: 10 1/2 x 15 3/8 inches (26.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of Part of Chowringhee - Calcutta

View of Part of Chowringhee - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845, British, active in India
Date:
undated
Medium:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Mount: 7 15/16 × 16 5/8 inches (20.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Drury Lane. The School for Scandal

Drury Lane. The School for Scandal
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Carrier's Waggon

A Carrier's Waggon
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Lord Harrington Leaving Mother Matthew's

Lord Harrington Leaving Mother Matthew's
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1804
Medium:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Barn Elmes

Barn Elmes
Creator:
Edward Edwards, 1738–1806, British
Date:
1793
Medium:
Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:
Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Return From the Chase, After a Fall

Return From the Chase, After a Fall
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The London-Dover Royal Mail, c. 1830-1840

The London-Dover Royal Mail, c. 1830-1840
Creator:
Charles B. Newhouse, fl. c.1820–1836, British
Date:
undated
Medium:
Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 27 1/16 × 20 11/16 inches (68.7 × 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 24 9/16 × 18 1/2 inches (62.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 × 20 9/16 inches (66 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 1/2 × 19 7/16 inches (67.3 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Landscape with Two Trees and Castle

Landscape with Two Trees and Castle
Creator:
Rev. William Gilpin, 1724–1804, British
Date:
1763
Medium:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

33. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770, German
Date:
ca. 1750
Medium:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Position de la Garde en Quarte, et le Coup de Quarte Basse

Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Du Desarmement sur le Coup de Tierce

Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. De la Passe en Quarte du Dehors des Armes

De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Medium:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of Plymouth taken from the Seven Trees, Exeter Road

View of Plymouth taken from the Seven Trees, Exeter Road
Creator:
William Payne, active 1850s, British
Date:
undated
Medium:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The South-west View of Battle Abbey in the County of Sussex

The South-west View of Battle Abbey in the County of Sussex
Creator:
Samuel Buck, 1696–1779, British
Date:
1735
Medium:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Traveling Barge

The Traveling Barge
Creator:
William Alexander, 1767–1816, British
Date:
undated
Medium:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Sketch of the Line of the Shaft and Inner Angle of the Abacus

Sketch of the Line of the Shaft and Inner Angle of the Abacus
Creator:
Sir Robert Smirke the younger, 1781–1867, British
Date:
1802-1804
Medium:
Pen and brown ink, and graphite on thin, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 15 7/16 inches (29.2 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters

Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters
Creator:
Augustus Welby Northmore Pugin, 1812–1852, British
Date:
1832
Medium:
Pen and black and violet ink with graphite and purple ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 15 1/4 inches (25.1 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Nun Mill, Northamptonshire

Nun Mill, Northamptonshire
Creator:
Capt. Francis Grose, 1731–1791, British
Date:
1762
Medium:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 15 1/2in. (21.6 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

55. Cubhunting with the North Cotswold, Oct. 1911, with vignettes

No cover image available
Creator:
Lionel Edwards, 1878–1966, British
Date:
1911
Medium:
Watercolor, pen and black ink, graphite, black chalk, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 14 7/8 × 20 3/16 inches (37.8 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Design after a Greek Vase

No cover image available
Creator:
unknown artist, eighteenth century
Date:
undated
Medium:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 25 1/4 × 19 5/16 inches (64.1 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection