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William Blake, 1757–1827, British

The Horse

ca. 1805

Not on view

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold: Early Morning

ca. 1880

Edward Lear, 1812–1888, British

Near Edfu

1867

Edward Lear, 1812–1888, British

Edfu

1867

Edward Lear, 1812–1888, British

Sunset on the Nile

1867

Edward Lear, 1812–1888, British

Boats on the Nile

1867

Edward Lear, 1812–1888, British

Opposite Melaghara, 5:20 PM

undated

Edward Lear, 1812–1888, British

Philae

1867

Edward Lear, 1812–1888, British

Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

1867

Edward Lear, 1812–1888, British

Haram el Ketab

1867

Edward Lear, 1812–1888, British

Haram el Ketab

1867

Edward Lear, 1812–1888, British

Silsilis

1854

Edward Lear, 1812–1888, British

Boat on the Nile

January - March 1867

Edward Lear, 1812–1888, British

Boat on the Nile

January - March 1867

Edward Lear, 1812–1888, British

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear, 1812–1888, British

West Bank near Howatke; 8:15 A.M., 8 Jan. 1867 (95)

1867

Edward Lear, 1812–1888, British

Above Kalabashe; 12:20 P.M., 31 Jan. 1867 (297)

1867

Edward Lear, 1812–1888, British

Dishne; 4:30 P.M., 27 Feb. 1867 (554)

1867

George Romney, 1734–1802, British

Ms. notes

undated

Henry Swinburne, 1743–1803, British

Barcelona, Spain

1775 to 1776

Henry Swinburne, 1743–1803, British

Near Campo Lautrecco, Naples

1777 to 1778

Henry Swinburne, 1743–1803, British

View of the Road Near Borchetta

undated

Henry Swinburne, 1743–1803, British

Dordogne, France

undated

Henry Swinburne, 1743–1803, British

Menars, France

undated

Henry Swinburne, 1743–1803, British

Wooded Clearing, with a River Landscape and Cottage

undated

Henry Swinburne, 1743–1803, British

Landscape, with a Village in the Distance

undated

Henry Swinburne, 1743–1803, British

Rocky Landscape with Grotto

undated

Henry Swinburne, 1743–1803, British

Madrid, Spain

1775 to 1776

Henry Swinburne, 1743–1803, British

Bord du Loiret

undated

Henry Swinburne, 1743–1803, British

River View of Bridge and Village in a Distance

undated

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833, British

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

ca. 1768

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

ca. 1768

James Bruce, 1730–1794, British

Madoqua (Dik-dik)

ca. 1768

John Gendall, 1790–1865, British

Fulham Palace, Porter's Lodge

undated

Sir James Thornhill, 1675–1734, British

A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud

ca. 1715

Sir David Wilkie, 1785–1841, British

The Manse, Cults, Fife: The Artist's Old Home

undated

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Plan of Stables

ca. 1790

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Sir James Thornhill, 1675–1734, British

The Birth of Venus

undated

Paul Sandby, 1731–1809, British

London Cries: A Milkmaid

ca. 1759

Paul Sandby, 1731–1809, British

London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

ca. 1759

Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Gothic Ornamentation

undated

Thomas Rowlandson, 1756–1827, British

The Actresses Dressing Room at Drury Lane

between 1800 and 1810

Thomas Rowlandson, 1756–1827, British

The Recruiting Officer

1797

unknown artist

Sketch of Boats

undated

Thomas Rowlandson, 1756–1827, British

Naval Officers and a Bowl of Punch

undated

Thomas Girtin, 1775–1802, British

Harrow-on-the-Hill, Middlesex

ca. 1794

Thomas Rowlandson, 1756–1827, British

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

undated

Thomas Rowlandson, 1756–1827, British

An Elderly Buck walking with a Lady

between 1810 and 1820

Thomas Rowlandson, 1756–1827, British

A Village Street with Cattle and Sheep Being Driven Through

undated

Thomas Rowlandson, 1756–1827, British

The Doctor Overcame

undated

Sawrey Gilpin, 1733–1807, British

Goats

undated

Joseph Farington, 1747–1821, British

River with Castle and Bridge

undated

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Port Mahon

between 1756 and 1773

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Coin: Chambre du Commerce de Picarde; First Draft

ca. 1761

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

circle of Charles Robert Leslie, 1794–1859, British

Study of 16th Century Costumes

undated

John Fayram, op.1713–1743, British

Frontispiece design for John Fayram's "Eight Views after Nature"

ca. 1739

Willey Reveley, (?), 1760–1799, British

Views in the Levant: The Colossus of Barletta

ca. 1785

unknown artist, eighteenth century

Morning

1799

unknown artist

Evening

1799

Robert Dighton, 1752–1814, British

William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

between 1801 and 1802

Sir Edwin Henry Landseer, 1802–1873, British

Sportsman and Two Dogs

undated

Thomas Rowlandson, 1756–1827, British

'How to Twist Your Neck'

undated

James Seymour, 1702–1752, British

Rider in Armour

undated

Joseph Crawhall, 1861–1913, British

Horse and Rider: a Stout Huntsman on a Galloping Horse

undated

Thomas Rowlandson, 1756–1827, British

Two Studies of a (?) French Cavalryman

undated

Thomas Rowlandson, 1756–1827, British

The Miseries of the Country

undated

unknown artist

Mid-Day

1799

John Collet, ca. 1725–1780, British

Stable Boy Holding a Horse in a Landscape

undated

James Seymour, 1702–1752, British

A Hound Tethered to a Tree Stump

undated

John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

John Vanderbank, 1694–1739, British

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

1729