Medium: pen / Work Type: drawing / Width [cm]: 22 - YCBA Collections Search Search Results

Edward Lear, 1812–1888, British

Near Mesghouneh

1867

Edward Lear, 1812–1888, British

Pettenasco, Lago d'Orta

1867

Edward Lear, 1812–1888, British

Garf Hassai, Malta

1866

Edward Lear, 1812–1888, British

Sliema

1866

Edward Lear, 1812–1888, British

Near Katieh

1867

Edward Lear, 1812–1888, British

Gebel Sheikh Eredi, (Pigeon House of Er Raineh)

1867

Edward Lear, 1812–1888, British

Sunset along the Nile

1867

Edward Lear, 1812–1888, British

Lago Maggiore...Stresa

1867

Edward Lear, 1812–1888, British

Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

1867

Edward Lear, 1812–1888, British

Near Belbeis

1867

Edward Lear, 1812–1888, British

Zereeba, near Belbeis

1867

George Romney, 1734–1802, British

Seated Woman Feeding an Animal

undated

Henry Swinburne, 1743–1803, British

Theatre of Sagunto, Spain

1775 to 1776

Henry Swinburne, 1743–1803, British

View of an Island with Sailboat

undated

Henry Swinburne, 1743–1803, British

Sketch of a Walled City

undated

Henry Swinburne, 1743–1803, British

Brindisi from the HIll South of the New Channel

1777 to 1780

Henry Swinburne, 1743–1803, British

The Most Considerable Remains of the Walls of Gnatia

1777 to 1778

Henry Swinburne, 1743–1803, British

Porto Azzurro, Tuscany, Italy

1777 to 1778

Henry Swinburne, 1743–1803, British

Villeneuve-les-Avignon, France

undated

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Elevation of Stables

ca. 1790

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

ca. 1768

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

ca. 1768

Isaac Johnson, 1754–1835, British

Leiston Abbey, Suffolk

undated

Edward Byng, c. 1676–1753, British

A Gentleman, wearing a Long Buttoned Coat with Large Cuffs

undated

unknown artist

The Virtuous Family

ca. 1790

Anthony Pasquin Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

Anthony Pasquin, 1763–1818, British

Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

undated

unknown artist, nineteenth century

Netley Abbey

undated

unknown artist, nineteenth century

Italian Mountain Landscape

undated

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Plan and Elevation of Lodge

ca. 1790

Thomas Stothard, 1755–1834, British

Study of Trees

undated

Biagio Rebecca, Italian, 1735–1808, Italian

Group of Three Young Women

undated

James Paine, 1717–1789, British

Design for a Circular Domed Temple: Elevation

undated

Alfred Parsons, 1847–1920, British

Title page from She Stoops to Conquer

1884

Sir James Thornhill, 1675–1734, British

Design of Apollo and the Python for a Painted over-door Decoration

undated

Walter Greaves, 1846–1930, British

Portrait Study of Whistler

undated

John Griffiths, active 1764–1774

The Open-Air Preacher

undated

Thomas Carwitham, active 1723, British

Ceres and Abas: Ovid, Metamorphoses, Book 5

ca. 1723

unknown artist, 19th century

Study of a Woman in a Wide-Brimmed Hat

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Anthony Walker, 1726–1765, British

Britannia in Distress

1756

unknown artist, nineteenth century

Dioecici (botanical specimen)

undated

Benjamin West, 1738–1820, American, active in Britain (from 1763)

Study of Trees

undated

unknown artist

Illustration to Tonson's Ovid Metamorphosis (three of four)

ca. 1710

unknown artist

Illustration to Tonson's Ovid Metamorphosis (one of four)

ca. 1710

Edward Byng, c. 1676–1753, British

A Lady

undated

Peter Oliver, 1589–1647, British

Venus and Adonis

1631

unknown artist

Landscape with Trees and Church Spire

undated

Charles Tomkins, 1757–1823, British

Shrewsbury House, Isleworth, Middlesex

undated

Charles Tomkins, 1757–1823, British

Seat of David Godfrey, Isleworth, Middlesex

undated

Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Gothic Ornamentation

undated

Samuel Prout, 1783–1852, British

Sketches of Peasants and Work-Horses

undated

Thomas Rowlandson, 1756–1827, British

Bucks of the First Head

ca. 1785

Thomas Stothard, 1755–1834, British

Chinese Youth Weaving

undated

Thomas Shotter Boys, 1803–1874, British

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

Thomas Rowlandson, 1756–1827, British

The Club Room

undated

Studio of Sir Jeffry Wyatville, 1766–1840, British

Windsor Castle, Berkshire: Upper Ward

undated

Thomas Rowlandson, 1756–1827, British

The Doctor's Consultation

1815-1820

Thomas Rowlandson, 1756–1827, British

Francesco Bartolozzi

ca. 1815

Sawrey Gilpin, 1733–1807, British

Cow Lying Next to a Fence

undated

Edward Dayes, 1763–1804, British

Elgin Cathedral, Moray

1792

Edward Edwards, 1738–1806, British

Old Lady with Basket of flowers

ca. 1760

unknown artist, (member of the Finch family)

Archiepiscopal Palace, Wrotham, Kent

undated

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Drawing for a Frontispiece: "The Toast"

1735

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

undated

Mrs. P. D. H. Page, 20th century

Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

undated

Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708)

Three Greyhounds in a Room

undated

John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)

Two Horses' Heads

undated

Michael Searles, 1750–1813, British

Design for a London Townhouse: Elevation

undated

Michael Searles, 1750–1813, British

Design for a London Townhouse: Elevation

undated

Cecil Charles Windsor Aldin, 1870–1935, British

'The Hounds Began Suddenly to Howl in Chorus'

undated

Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664)

A Hawking Party

undated

James Seymour, 1702–1752, British

Sketches of a Hare, Horse, Stag, Man and Woman

undated

Richard Dighton, 1795–1880, British

R. W. Selby-Lowndes in a Scarlet Coat

1843

Thomas Rowlandson, 1756–1827, British

The Comforts of Bath: The Breakfast

1798

Thomas Rowlandson, 1756–1827, British

Dr. Syntax Attends the Execution

1820

Thomas Rowlandson, 1756–1827, British

The Mausoleum

undated

Thomas Rowlandson, 1756–1827, British

The Miseries of the Country

undated

Mrs. P. D. H. Page, 20th century

Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]

undated

Paul Sandby, 1731–1809, British

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

undated

James Seymour, 1702–1752, British

Two Horses Trotting in Harness

undated

James Seymour, 1702–1752, British

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

undated

James Seymour, 1702–1752, British

Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left

undated

John Wootton, 1682–1764, British

The Meet

undated

Mrs. P. D. H. Page Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Mrs. P. D. H. Page, 20th century

Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

undated