Medium: pen / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 16

Sir Robert Smirke the younger, 1781–1867, British

Palazzo di Vicenza

1802-1804

Henry Swinburne, 1743–1803, British

Lang House Farm

undated

Henry Swinburne, 1743–1803, British

Château de Chaumont

undated

Henry Swinburne, 1743–1803, British

Vaucluse, France

undated

Benjamin West, 1738–1820, American, active in Britain (from 1763)

St. Michael and Lucifer

undated

follower of Sir James Thornhill, 1675–1734, British

Diana and Actaeon: A Study for a Panel on a Staircase

undated

follower of Sir James Thornhill, 1675–1734, British

The Fall of Phaeton: A Study for a Ceiling

undated

Benjamin West, 1738–1820, American, active in Britain (from 1763)

Page Boy Asleep

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Sir James Thornhill, 1675–1734, British

Design for a Mythological Scene, with Jupiter and Juno

undated

Paul Sandby, 1731–1809, British

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

ca. 1759

unknown artist, nineteenth century

Two Bulldogs Playing

undated

James Bruce, 1730–1794, British

Dik-dik

ca. 1768

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Joseph Wilton, 1722–1803, British

A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

Between 1747 and 1755

Arthur Pond, ca. 1705–1758, British

The Arch of Titus from the Forum, Rome

ca. 1725

Paul Sandby, 1731–1809, British

London Cries: "Do You Want any Spoons..."

ca. 1759

Paul Sandby, 1731–1809, British

London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

1760

unknown artist, nineteenth century

Bulldog Facing Left

early 19th century

Augustus Welby Northmore Pugin, 1812–1852, British

Designs for Town Hall Mons [sic]

1851

Thomas Rowlandson, 1756–1827, British

Lord Harrington and Lord Petersham

undated

Thomas Rowlandson, 1756–1827, British

George Morland

between 1780 and 1799

Edward Edwards, 1738–1806, British

A Young Lady Seated Wearing a White Dress

1788

Joseph Farington, 1747–1821, British

Trees and Hilly Landscape

undated

Robert, Frankland, baronet, 1784–1849, British

Caricature of Beau Nash

1802

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

unknown artist, eighteenth century-nineteenth century

The Pottery Shop

undated

Samuel Howitt, 1756–1822, British

A Woodcock

undated

Julius Caesar Ibbetson A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Julius Caesar Ibbetson, 1759–1817, British

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

undated

James Seymour, 1702–1752, British

Rider on a Horse, Rearing to Left

undated

James Seymour, 1702–1752, British

Woman Wearing a Tricorne Hat, Riding to Right

undated

unknown artist

Design for Interior Ornament

undated

Thomas Rowlandson, 1756–1827, British

Pigs at a Trough

ca. 1790

James Seymour, 1702–1752, British

Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat

undated

Joshua Cristall, 1768–1847, British

A Groom, Berkshire

ca. 1816

Paul Sandby, 1731–1809, British

Girl with Packhorse

undated

Thomas Rowlandson, 1756–1827, British

Reflections, or the Music Lesson

undated

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739, British

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

John Vanderbank, 1694–1739, British

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

1729

George Chinnery, 1774–1852, British

A Man throwing a Ball to a Dog

undated

Thomas Rowlandson, 1756–1827, British

Jack Bannister in his Dressing Room

1783

Benjamin West The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765

Benjamin West, 1738–1820, American, active in Britain (from 1763)

The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765

between 1765 and 1766

Thomas Rowlandson, 1756–1827, British

New Shoes

undated

Thomas Rowlandson, 1756–1827, British

Studies of George III and Statesmen

undated

Thomas Rowlandson, 1756–1827, British

Two Girls Tippling

undated