Medium: oil paint / Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) / Width [cm]: 38 - YCBA Collections Search Search Results

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Medium oil paint

Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

Width [cm] 38

1. The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)

Creator:: Philip Reinagle, 1749–1833, British
Date:: 1800
Medium:: Oil on canvas
Dimensions:: 17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Clouded Leopards

Clouded Leopards

Creator:: Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Date:: ca. 1825
Medium:: Oil on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828, British
Date:: ca. 1826
Medium:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869, British
Date:: 1815
Medium:: oil on paper laid to card
Dimensions:: 8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection