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Medium oil paint
Remove constraint Medium: oil paintCollection Prints and Drawings
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1
- A Study of Ferns, Civitella
- 1842
2
- Corpo di Cava, 28 June 1838
- 1838
3
- La Cava
- 1838
4
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
5
- Europe. A Prophecy, Plate 2, Title Page
- 1794
6
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
7
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
8
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
9
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
10
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
11
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
12
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
13
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
14
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
15
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
16
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
17
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
18
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
19
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
20
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
21
- Three Sheep at Rest
- undated
22
- The Garden of the Villa Borghese
- ca. 1776
23
- Unidentified Sitter
- undated
24
- Villa Medici, Rome
- ca. 1776
25
- Falstaff in the Boar's Head
- 1807
26
- Falstaff at Herne's Oak
- 1807
27
- Man Seated on a Rock
- undated
28
- Study for Burying the Royal Children
- ca. 1790
29
- Two Kingfishers beside a Lake
- undated
30
- Two Kingfishers beside a Lake
- undated
31
- Portrait of Romilly Saumarez Smith
- 2010
32
- Horses and cows in a hilly landscape
- undated
33
- Landscape: Three cows in center foreground
- undated
34
- Landscape: Figure riding a donkey
- undated
35
- Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders
- undated
36
- Close of the Day: Sunset on the Coast
- between 1768 and 1775
37
- A Woodland Pool with Rocks and Plants
- between 1765 and 1770
38
- Ariadne Watching the Struggle of Theseus with the Minotaur
- 1815 to 1820
39
- Mrs. Justinian Casamajor and Eight of her Children
- 1779
40
- Sky study
- undated
41
- Sky study
- undated
42
- Sky study
- undated
43
- Saddled Gray Horse Walking
- undated
44
- A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
- undated
45
- A Wagonette (Hooper & Co., Coach Builders)
- undated
46
- Sky study
- undated
47
- Sky study
- undated
48
- Two Shetland Ponies With a Groom
- 1834
49
- Sky study
- undated
50
- Sky study
- undated
51
- Sky study
- undated
52
- Clouds at Sunset
- undated
53
- Daphne
- 1934
54
- Landscape with Distant Bridge
- undated
55
- Landscape: Cow in left foreground
- undated
56
- Olivia and Maria
- 1822
57
- Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
- undated
58
- Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
- undated
59
- Abraham and Isaac (Abraham grasping Isaac's arm)
- undated
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
60
- Scenes from an Eastern Romance [Arabian Nights]
- undated
61
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
62
- Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
- undated
63
- Abraham and Isaac
- undated
64
- Illustration for Don Quixote, Two Figures at a Table
- undated
65
- Studies of Geese
- undated
66
- Charity
- undated
67
- Illustration for Don Quixote (with figures on a donkey)
- undated
68
- Malvolio Dancing
- 1827
69
- Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
- undated
70
- Woman Sleeping in the Nude in a Wooded Landscape
- undated
71
- Lady Jane Grey
- undated
72
- Diana and Actaeon
- undated
73
- Figure Study of a Nude Woman in a Wooded Landscape
- undated
74
- Smoking Hill
- 1949
75
- Stephano and Trinculo with Caliban
- 1821
76
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
77
- Isabella and Mariana Kneeling Before the Duke
- 1822
78
- Falstaff with Mistress Quickly and Bardolph
- 1825
79
- Ford in a Rage After Seeing Falstaff
- 1821
80
- Lady Mortimer's Welsh Song
- 1825
81
- Master William Page and Sir Hugh Evans
- 1821
82
- Falstaff at Herne's Oak
- 1821
83
- Hotspur and the Plotters at Bangor
- 1825
84
- Oberon and Puck
- 1825
85
- The Death of Ophelia
- ca. 1810
86
- Sir Christopher Wren
- undated
87
- Claudio and Isabella
- 1823
88
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
89
- Viola and Olivia
- 1822
90
- Christopher Sly and the Page, as His Wife
- 1821
91
- Feste, as Sir Topas, addressing Malvolio
- 1822
92
- Capulet Railing at his Daughter, Juliet
- 1825
93
- Juliet About to Take her Sleeping Draught
- 1825
94
- Katherina and Grumio
- 1821
95
- Launce with his Dog Crab
- ca. 1821
96
- Landscape: Man Carrying Faggots
- undated
97
- Two Birds in a Landscape
- undated
98
- Battle Scene (probably intended for Hume's "History of England")
- undated
99
- Battle Scene (probably intended for Hume's "History of England")
- undated
100
- A Family Group at a Cottage Door
- undated