Medium: mezzotint / Work Type: intaglio print / Width [cm]: 45

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Picture in the Possession of Sir John Mildmay, Bart

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge and Goats

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

James Ward The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky.

James Ward, 1769–1859, British

The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky

1798

Print made by Thomas Goff Lupton, 1791–1873, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1860

Henry Ryall, 1811–1867, British

The Right Hon'ble James, Lord de Saumarez, G.C.B.K.S

1840

William Ward, 1766–1826, British

The Daughters of Sir Thomas Frankland Bart

1797

Charles Turner, 1774–1857, British

James Gillray

1819

Print made by David Lucas, 1802–1881, British

Weymouth Bay, Dorsetshire

1830

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Valentine Green, 1739–1813, British

Sir Joshua Reynolds

1780

John Raphael Smith, 1752–1812, British

Mrs. Stables and Two Daughters, Harriet & Maria

1781

Print made by David Lucas, 1802–1881, British

A Dell, Helmingham Park, Suffolk

1830

Print made by David Lucas, 1802–1881, British

Stoke by Neyland, Suffolk

1830

Print made by David Lucas, 1802–1881, British

A Seabeach

1830

Print made by James Watson, 1740–1790, British

Rt. Hon. John Manners, Marquess of Granby, and a Servant

undated

Print made by David Lucas, 1802–1881, British

Summer Evening

1831

Print made by David Lucas, 1802–1881, British

A Mill

1830

Print made by Elisha Kirkall, ca. 1682–1742, British

A Midnight Modern Conversation

ca. 1733, printed after 1779

Print made by Johann Gottfried Haid, 1704–1767, German, active in Britain

Two Women Listening to a Bird, with a Man Holding a Gun

undated

William Dickinson, 1746–1823, British

Molyneux Lord Shuldham

1780

Print made by Richard Earlom, 1743–1822, British

Hon. George Cranfield Berekley

1793

Print made by Samuel William Reynolds, 1773–1835, British

Marchioness of Exeter

1803

Print made by Samuel Cousins, 1801–1887, British

Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

1832

Print made by Nathaniel Hone, 1718–1784, Irish

Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

1772

Print made by Charles Turner, 1774–1857, British

Field Marshal, The Duke of Wellington

1816

Print made by James Ward, 1769–1859, British

The Douglas Children

1796

Print made by Prince Rupert, 1619–1682, British

The Great Executioner

1658

Print made by James Watson, 1740–1790, British

Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways

1762

Print made by James McArdell, ca. 1729–1765, Irish

St. Francis de Paula

undated

Print made by Robert Laurie, 1755?–1836, British

The Full of the Honeymoon

1789

Print made by James Watson, 1740–1790, British

Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'

1769

Print made by James Walker, 1748–1808, British

Lady Isabella Hamilton

1782

Print made by Thomas Watson, 1743–1781, British

Lady Broughton

1770

Print made by William James Ward, ca. 1800–1840, British

Frederick Howard, Fifth Earl of Carlisle

1823

Print made by James Watson, 1740–1790, British

Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

between 1762 and 1764

Print made by Edward Fisher, 1722–1785, British

John Viscount Ligonier

after 1761

Print made by William Ward, 1766–1826, British

The Daughters of Sir Thomas Frankland

1797

Print made by James Ward, 1769–1859, British

Lady Heathcote

1804

Print made by Thomas Park, ca. 1760–1834, British

Mrs. Jordan in the Character of the Comic Muse

1787

Print made by Samuel Cousins, 1801–1887, British

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Print made by Charles Turner, 1774–1857, British

La Baiser Envoye

1807

Print made by William Baillie, 1723–1810, Irish

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

1774

William Ward, 1766–1826, British

Horne Tooke Esq

1811

William Ward, 1766–1826, British

Daughters of Sir Thomas Frankland

1797

William Ward, 1766–1826, British

Daughters of Sir Thomas Frankland

1797

Samuel William Reynolds, 1773–1835, British

Her Grace the Duchess of Bedford

1803

John Raphael Smith, 1752–1812, British

His Royal Highness George, Prince of Wales

1792

Print made by William Strang, 1859–1921, British

The Bathers

1895

Print made by Sir Frank Short, 1857–1945, British

Vesuvius from the Bay of Naples

1895

John Dean, 1754–1798, British

Moses in the Bulrushes [Reclining Child]

1786

Charles Turner, 1774–1857, British

Going out Milking

1800

Charles Turner, 1774–1857, British

The Return from Milking

1800

Print made by J. P. Quilley, active 1828

Boccaccio, the Bird Cage

1830

Print made by Samuel Cousins, 1801–1887, British

Yes or No

1873

Print made by Sir Hubert von Herkomer, 1849–1914, British

Benjamin Disraeli

ca. 1875

Print made by Samuel Arlent Edwards, 1861–1938, British, active in the United States (1890–1910)

Portrait of Izaak Walton

1898

Print made by Valentine Green, 1739–1813, British

The Salutation

1778

Print made by Valentine Green, 1739–1813, British

Miss Martha Ray

1779

James Watson, 1740–1790, British

Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways

1762

John Raphael Smith, 1752–1812, British

Bacchus

1776

Edward Fisher, 1722–1785, British

John, Lord Viscount Ligonier

undated

Samuel William Reynolds, 1773–1835, British

William Adam Esq

1804

Joseph Grozer, ca. 1755–1798, British

Alexander Wedderburn, 1st Earl of Rosslyn

1796

Print made by John Dean, 1754–1798, British

Master Wynn in the Character of St. John

1776

Print made by Valentine Green, 1739–1813, British

Jupiter and Io

1785

John Raphael Smith, 1752–1812, British

Admiral Adam Duncan, 1st Viscount Duncan

1800

Charles Turner, 1774–1857, British

Edward Law, 1st Baron Ellenborough

1809

Charles Howard Hodges, 1764–1837, British

John Lee, Esq

1788

Samuel William Reynolds, 1773–1835, British

Francis, Late Duke of Bedford

1802

Print made by Sir Frank Short, 1857–1945, British

A Pastoral

1896

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Medium mezzotint

Work Type intaglio print

Width [cm] 45

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Medium mezzotint

Work Type intaglio print

Width [cm] 45

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