Medium: mezzotint / Work Type: intaglio print / Width [cm]: 42

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Farm-yard with the Cock

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Coast of Yorkshire

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Basle

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Lauffenbourgh on the Rhine

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1818

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Near Blair Athol Scotland

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Near Blair Athol, Scotland

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Martello Towers near Bexhill, Sussex

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Near Blair Athol Scotland

1811

Print made by Sir Frank Short, 1857–1945, British

Falls of the Rhine, Schaffhausen

1896

Print made by David Lucas, 1802–1881, British

Summer Evening

1831

Print made by David Lucas, 1802–1881, British

Stratford Mill, The Young Waltonians

1834 to 1840

Print made by Sir Frank Short, 1857–1945, British

Shipping at the Entrance of the Medway, No. 2

1896

Print made by Sir Frank Short, 1857–1945, British

Crowhurst, Sussex

1902

Print made by Samuel Cousins, 1801–1887, British

Field Marshal the Duke of Wellington, K. G

1848

Print made by Samuel Bellin, 1799–1894, British

David Cox

undated

Print made by Thomas Goff Lupton, 1791–1873, British

Sheerness

1828

Print made by Richard Earlom, 1743–1822, British

A Study

1817

Print made by Richard Earlom, 1743–1822, British

A Landscape

1817

William Say, 1768–1834, British

Crossing the Brook

1804

William Say, 1768–1834, British

Love Sheltered

1806

Print made by Johann Jacobus Haid, 1704–1767

Rejouissances pour le Retour de l'Enfant Prodigue

undated

Print made by Johann Jacobus Haid, 1704–1767

Ornatus Corporis et Animi

undated

Print made by Johann Jacobus Haid, 1704–1767

Potus Calidæ Theiæ

undated

Print made by Johann Jacobus Haid, 1704–1767

Medicus Alchemista

undated

Print made by Charles Turner, 1774–1857, British

George Viscount Malden and Lady Elizabeth Capel

1817

Print made by Valentine Green, 1739–1813, British

Sir Joshua Reynolds

1780

Print made by William Dickinson, 1746–1823, British

Elizabeth Godden (née Houghton), Lady Taylor

ca. 1775

Print made by John Raphael Smith, 1752–1812, British

The Clavering Children

1779

Print made by Ludwig von Siegen, 1609–c.1680, German

Elizabeth Stuart, Queen of Bohemia

1643

Print made by Ludwig von Siegen, 1609–c.1680, German

Mary Stuart, Princess of Orange

1643

Print made by William Say, 1768–1834, British

The Ecstasy of St. Francis

1809

Print made by William Say, 1768–1834, British

Dorothea

1804

Print made by James Bromley, 1801–1838, British

Her Royal Highness, the Duchess of Kent

1835

Print made by Charles Turner, 1774–1857, British

Sir Walter Scott

1810

Print made by William Pether, ca. 1738–1821, British

Rabbi with a White Turban

1778

Print made by Johann Jacobus Haid, 1704–1767

Uxor Zelotypa

undated

George Keating, 1762–1842, Irish

Duchess of Devonshire and Lady Georgina Cavendish

1787

Thomas Watson, 1743–1781, British

Henrietta, Countess of Rochester

1779

William Say, 1768–1834, British

Sir James Saumarez, 1st Baron de Saumarez

1810

Valentine Green, 1739–1813, British

Anne Townshend, Marchioness Townshend

1780

Henry Hoppner Meyer, ca. 1782–1847, British

John Scott, 1st Earl of Eldon

1813

Print made by John Young, 1755–1825, British

George Canning

1803

Print made by James Ward, 1769–1859, British

Mrs. Billington as St. Cecilia

1803

Print made by William Dickinson, 1746–1823, British

Diana, Viscountess Crosbie

ca. 1779

Print made by William Say, 1768–1834, British

The Dilettanti Society

1812

Print made by Charles Howard Hodges, 1764–1837, British

Mrs. William Hope of Amsterdam

1788

Print made by John Raphael Smith, 1752–1812, British

The Promenade at Carlisle House

1781

Print made by John Raphael Smith, 1752–1812, British

The Promenade at Carlisle House

1781

Print made by Charles Turner, 1774–1857, British

Miss O'Neill as Hebe

1811

Print made by James Watson, 1740–1790, British

Her Royal Highness, The Dutchess of Cumberland

1773

Print made by Charles Turner, 1774–1857, British

The Dilettanti Society

between 1800 and 1820

Print made by William Say, 1768–1834, British

Lady Mildmay and Child

1803

Print made by Charles Turner, 1774–1857, British

Admiral Lord Nelson

1806

Print made by Edward Savage, 1761–1817, American

Benjamin Franklin

1793

Print made by Ludwig von Siegen, 1609–c.1680, German

William II, Prince of Orange

1644

Print made by Sir Frank Short, 1857–1945, British

Kingston Bank

1896

Print made by Charles Turner, 1774–1857, British

Norham Castle, on the River Tweed

1824

Print made by William Baillie, 1723–1810, Irish

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

1774

Valentine Green, 1739–1813, British

Lady Talbot

1782

John Dean, 1754–1798, British

Master Wynn in the Character of St. John

undated

Print made by Samuel Cousins, 1801–1887, British

Robert Burns

1830

Print made by William Ward, 1766–1826, British

A Young Lady Encouraging the Low Comedian

1787

Print made by Richard Earlom, 1743–1822, British

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Richard Earlom, 1743–1822, British

Vulcan's Forge

1802

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by Richard Earlom, 1743–1822, British

Landscape with Ruins

1817

Print made by J. P. Quilley, active 1828

Boccaccio, the Bird Cage

1830

Print made by J. P. Quilley, active 1828

Boccaccio, the Bird Cage

1830

Valentine Green, 1739–1813, British

Sir Joshua Reynolds

1780

Valentine Green, 1739–1813, British

Georgiana Duchess of Devonshire

1780

Print made by Valentine Green, 1739–1813, British

Georgiana, Duchess of Devonshire as 'Cynthia'

1783

James Watson, 1740–1790, British

Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

1770

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 2

1896

Charles Turner, 1774–1857, British

John, Earl of St. Vincent

1816

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Medium mezzotint

Work Type intaglio print

Width [cm] 42

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Medium mezzotint

Work Type intaglio print

Width [cm] 42

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