Medium: line engraving / Width [cm]: 43 - YCBA Collections Search Search Results

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1822

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Robert Wallis, 1794–1878, British

Havre

1832

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey, Devonshire

1827

Print made by Edward Francis Finden, 1791–1857, British

The Castle Rhine

1832-1834

Print made by Robert Wallis, 1794–1878, British

Palais at Blois

1833

Print made by Robert Wallis, 1794–1878, British

Tours - looking backwards

1833

Print made by James Baylis Allen, 1803–1876, British

Falls of the Rhine

1832

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by Thomas Higham, 1796–1844, British

Orleans

1833

Print made by James T. Willmore, 1800–1863, British

Saumur

1833

Print made by Robert Brandard, 1805–1862, British

Rietz near Saumur

1833

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by Edward Francis Finden, 1791–1857, British

Malta

1832-1834

Samuel Buck, 1696–1779, British

The Southwest view of Hertsmonceux Castle in the County of Sussex

1737

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by John Landseer, 1769–1852, British

Freshwater Bay

1799

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Radclyffe, 1780–1855, British

Deal, Kent

1826

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by Thomas Crostick, active ca. 1828, British

Fonthill

1829

Print made by William Miller, 1796–1882, British

Melrose

1834

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1832

Print made by William Miller, 1796–1882, British

Palace of La Belle Gabrielle

1828-1837

Print made by William Miller, 1796–1882, British

Melrose

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Print made by Robert Brandard, 1805–1862, British

Tours

1833

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by Robert Wallis, 1794–1878, British

Tours - looking backwards

1833

William Henry Toms, ca. 1700–ca. 1750, British

The South - West View of the Parish Church of Ecton in Northamptonshire

1749

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by William Finden, 1787–1852, British

Rhodes

1833

Print made by Richard Hamilton, 1922–2011, British

Bronze by Gold

1985 to 1987

Print made by Richard Hamilton, 1922–2011, British

In Horne's House

1982

Print made by Robert Wallis, 1794–1878, British

Virginia Water. No. II

1826-1837

Print made by William Radclyffe, 1780–1855, British

Hornby Castle, from Tatham Church

1822

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828

John Keyse Sherwin, c.1751–1790, British

Lancelot Brown Esq

ca. 1769

John Boydell, 1720–1804, British

A View taken near Battersea Church looking towards Chelsea

1752

John Boydell, 1720–1804, British

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

1752

Print made by James T. Willmore, 1800–1863, British

Saumur

1833

Print made by Edward Francis Finden, 1791–1857, British

Gibraltar

1832-1834

Print made by William Miller, 1796–1882, British

Rouen, looking down the River

1834

Print made by John Le Keux, 1783–1846, British

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

Print made by Samuel Cousins, 1801–1887, British

Lady Harriet Clive

1840

unknown artist

Bank of England

undated

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Medium line engraving

Width [cm] 43

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Medium line engraving

Width [cm] 43

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