Medium: line engraving / Width [cm]: 24 / Topic subjectplace ss: United Kingdom

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1834

Print made by William Bernard Cooke, 1778–1855, British

The Mewstone, Entrance of Plymouth Sound

1815

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Bridport, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by Joseph Skelton, active 1820–1850

Christ Church Cathedral and Part of Corpus Christi College

1820

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, from Mount Batten

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by William Radclyffe, 1780–1855, British

Deal, Kent

1826

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Print made by John Thomas Smith, 1766–1833, British

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by Robert Wallis, 1794–1878, British

Cowes, Isle of Wight

1830

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by William Radclyffe, 1780–1855, British

Blenheim, Oxfordshire

1833

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by John Horsburgh, 1791–1869, British

Folkestone, Harbour, and Coast to Dover, Kent

1831

Print made by William Radclyffe, 1780–1855, British

Eton College

1831

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by Benjamin Cole, 1697–1783, British

Merchant Taylors' School and St. Paul's School

1756

Print made by James Caldwall, 1739–1819, British

Hagley Hall

undated

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

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Medium line engraving

Width [cm] 24

Topic subjectplace ss United Kingdom

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Medium line engraving

Width [cm] 24

Topic subjectplace ss United Kingdom

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