Medium: line engraving / Height [cm]: 14 / Subject Terms: architectural subject

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte alla Carria

1818-1820

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by James T. Willmore, 1800–1863, British

Saumur

1833

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

William H. Hoogkamer, 1790–1864

Welgelegen:Vue du Pavillon de Harlem prise du Bois

undated

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1820

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842, British

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by William Finden, 1787–1852, British

Jain Temples, Muktagerri

ca. 1840

Print made by T. Kelly, active ca. 1837

Devotees in India Sacrificing Themselves to the Idol Juggernaut

1837

Print made by unknown artist, nineteenth century

Part of Westminster

ca. 1850

unknown artist

Westminster Hall

ca. 1850

Print made by John Thomas Smith, 1766–1833, British

Ceiling of the Star Chamber

1805

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Robert Sargent Austin, 1895–1973, British

Still Life, Perugia

1933

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1820

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by John Scott, 1774–1828, British

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Samuel Rawle, 1771–1860, British

Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry

1801

unknown artist, nineteenth century

A View of Cold Harbor in Thames Street, London

1818

James Basire the younger, 1769–1822, British

St. Martin, Outwich

undated

unknown artist

Messrs. Morgan & Sanders, Catherine St. Strand

1809

Print made by James T. Willmore, 1800–1863, British

Saumur

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Wenceslaus Hollar, 1607–1677, Bohemian

Palatium Regis Prope Londinum, Vulgo Whitehall

ca. 1647

Print made by John Burnet, 1784–1868, British

Buckingham House, St. James' Park

1810

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

John Godfrey

Herstmonceux Castle Pl. I

1779

unknown artist

Banco de Inglaterra

undated

Hanslip Fletcher, 1874–1955, British

St. Mary, Rotherhithe

1931

unknown artist, nineteenth century

Mr. Ross's Room, Bishopsgate Street

undated

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Medium line engraving

Height [cm] 14

Subject Terms architectural subject

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Medium line engraving

Height [cm] 14

Subject Terms architectural subject

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