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William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764, British
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
William Hogarth Plate 1, The Fellow 'Prentices at their Looms
Print made by William Hogarth, 1697–1764, British
Plate 1, The Fellow 'Prentices at their Looms
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764, British
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764, British
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764, British
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn
Print made by William Hogarth, 1697–1764, British
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London
Print made by William Hogarth, 1697–1764, British
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764, British
Strolling Actresses Dressing in a Barn
1738
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764, British
Marriage à la Mode, Plate 6
1745
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764, British
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764, British
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764, British
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764, British
Simon Lord Lovat
1746
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764, British
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
William Hogarth The Invasion, Plate 1: France
Print made by William Hogarth, 1697–1764, British
The Invasion, Plate 1: France
1756
William Hogarth A Rake's Progress, Plate 8
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate 8
1735
William Hogarth A Harlot's Progress, Plate 3
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 3
1732
William Hogarth Paul Before Felix
Print made by William Hogarth, 1697–1764, British
Paul Before Felix
1752
William Hogarth The Stage-Coach, or the Country Inn Yard
Print made by William Hogarth, 1697–1764, British
The Stage-Coach, or the Country Inn Yard
1747
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764, British
Tail Piece, or the Bathos
1764
William Hogarth The Invasion, Plate 2: England
Print made by William Hogarth, 1697–1764, British
The Invasion, Plate 2: England
1756
William Hogarth A Harlot's Progress, Plate 1
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 1
1732
William Hogarth A Harlot's Progress, Plate 6
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 6
1732
William Hogarth A Harlot's Progress, Plate 5
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 5
1732
William Hogarth Emerald Vessel
Print made by William Hogarth, 1697–1764, British
Emerald Vessel
1723
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764, British
Paul Before Felix Burlesqued
1751
William Hogarth A Midnight Modern Conversation
Print made by William Hogarth, 1697–1764, British
A Midnight Modern Conversation
1733
William Hogarth After
Print made by William Hogarth, 1697–1764, British
After
1736
William Hogarth Before
Print made by William Hogarth, 1697–1764, British
Before
1736
William Hogarth A Harlot's Progress, Plate 2
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 2
1732
William Hogarth A Harlot's Progress, Plate 4
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 4
1732
Robert Brandard Rouen, looking up the river
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
William Angus Fonthill House, Wiltshire
Print made by William Angus, 1752–1821, British
Fonthill House, Wiltshire
1800
Edward Goodall A Village Fair
Print made by Edward Goodall, 1795–1870, British
A Village Fair
1834
Edward Goodall Florence (vignette)
Print made by Edward Goodall, 1795–1870, British
Florence (vignette)
1830
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Frontispiece: Hercules Fighting the Hydra
Print made by Francesco Curti, 1610–1690, Italian
Frontispiece: Hercules Fighting the Hydra
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Cousen Light Towers of the Heve, vignette for title page
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve, vignette for title page
1834
Edward Goodall Greenwich Hospital
Print made by Edward Goodall, 1795–1870, British
Greenwich Hospital
1834
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
John Cousen Harfleur
Print made by John Cousen, 1804–1880, British
Harfleur
1834
Henry Winstanley Edystone Lighthouse
Print made by Henry Winstanley, 1644–1703, British
Edystone Lighthouse
between 1699 and 1708
Jacobus Houbraken Charles Lord Talbot, Lord High Chancellor
Print made by Jacobus Houbraken, 1698–1780, Dutch
Charles Lord Talbot, Lord High Chancellor
1739
Francesco Bartolozzi View of the Inside of the Vestibulum
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
View of the Inside of the Vestibulum
1764
Charles Mosley O the Roast Beef of Old England, &c.
Print made by Charles Mosley, c.1720–c.1770
O the Roast Beef of Old England, &c
1749
Simon François Ravenet Marriage à la Mode, Plate 4
Print made by Simon François Ravenet, 1706–1774, French, active in Britain
Marriage à la Mode, Plate 4
1745
Gerard Jean Baptiste Scotin Marriage à la Mode, Plate 1
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
Bernard Baron Marriage à la Mode, Plate 3
Print made by Bernard Baron, 1696–1762, French
Marriage à la Mode, Plate 3
1745
Simon François Ravenet Marriage à la Mode, Plate 5
Print made by Simon François Ravenet, 1706–1774, French, active in Britain
Marriage à la Mode, Plate 5
1745
Giovanni Giacomo de Rossi Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Published by Giovanni Giacomo de Rossi, 1627–1691, Italian
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Gerard de Jode Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
Francesco Bartolozzi View of the Temple of Aesculapius
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
View of the Temple of Aesculapius
1764
Francesco Bartolozzi Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
1798
Francesco Bartolozzi Philip Dormer Stanhope, Earl of Chesterfield
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Philip Dormer Stanhope, Earl of Chesterfield
1777
Francesco Bartolozzi View of the Porta Ferrea
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
View of the Porta Ferrea
1764
Francesco Bartolozzi Another View of the Temple of Aesculapius
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Another View of the Temple of Aesculapius
1764