Medium: line engraving / Associated Places: England / Width [cm]: 30

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by John Horsburgh, 1791–1869, British

Whitstable, Kent

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855, British

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

The Mewstone, Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by James Walker, 1748–1808, British

Peterborough

1796

Print made by John Landseer, 1769–1852, British

Shanklin Castle

1799

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1815

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, from Mount Batten

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Print made by William Richardson, active 1842–1877, British

Crossing the Brook

between 1859 and 1861

unknown artist, eighteenth century

A view of the inside of Westminster Hall

ca. 1700

Print made by James Walker, 1748–1808, British

Bridgenorth

1795

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Robert Wallis, 1794–1878, British

Colchester, Essex

1827

Print made by Robert Wallis, 1794–1878, British

Barnard Castle, Durham

1827

Print made by James T. Willmore, 1800–1863, British

Bedford, Bedfordshire

1831

Print made by Robert Wallis, 1794–1878, British

Barnard Castle, Durham

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by Henry Hobson, born 1814, British

Eastnor Castle, Herefordshire

between 1812 and 1825

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1819-1826

Print made by George Cooke, 1781–1834, British

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Blockley Church

ca. 1793

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Medium line engraving

Associated Places England

Width [cm] 30

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Medium line engraving

Associated Places England

Width [cm] 30

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