Medium: line engraving / Genre: landscape / Height [cm]: 20 - YCBA Collections Search Search Results

Print made by James Walker, 1748–1808, British

Peterborough

1796

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Print made by James Walker, 1748–1808, British

Rochester

1794

Print made by James Walker, 1748–1808, British

Nottingham

1795

Print made by J. Widnell, Active 1795, British

Matlock

1795

Print made by James S. Storer, 1771–1853, British

Chepstow

1794

Print made by James Walker, 1748–1808, British

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808, British

Wakefield

1798

Print made by James Walker, 1748–1808, British

Sheffield

1798

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Landseer, 1769–1852, British

Alum Bay and the Needles

1799

Print made by unknown artist, nineteenth century

Gateway to the Flower Garden at Farnley

1814

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

Print made by John Horsburgh, 1791–1869, British

Mayburgh

1834

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower

1834

Print made by James T. Willmore, 1800–1863, British

Lochmaben Castle

1834

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by William Miller, 1796–1882, British

Loch Achray

1834

Print made by William Miller, 1796–1882, British

Loch Achray (Vignette)

1853 reprint

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1833

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower (Vignette)

1834

Print made by William John Cooke, 1797–1865, Irish

Newark Castle (vignette)

1854 reprint

Print made by unknown artist, (de Bois)

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by Thomas Higham, 1796–1844, British

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by W. J. Cook, active 1830s–1840s, British

Hurdwar, A Place of Hindoo Pilgrimage

1831

Print made by James Sands, active 1813–1846

Death of Bishop Heber

1844

Print made by William Walker, 1729–1793, British

Scene in the East Indies

1782

Print made by unknown artist, nineteenth century

A Tiger Seizing a Bullock in a Pass

ca. 1830

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1822

Print made by William Byrne, 1743–1805, British

Wickham from the Marlow Road

1803

Print made by William Byrne, 1743–1805, British

Newbury From Speen Hill

1805

Print made by James T. Willmore, 1800–1863, British

Clairmont

1833

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by William Bernard Cooke, 1778–1855, British

Newark Castle

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by John Horsburgh, 1791–1869, British

Mayburgh

1833

Print made by John Scott, 1774–1828, British

Aske Hall - from Whitaker's 'History of Richmondshire' 1818-1823

1821

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower (Vignette)

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel (Vignette)

1834

Print made by William John Cooke, 1797–1865, Irish

Newark Castle (vignette)

1834

Print made by William Richardson, active 1842–1877, British

Ashestiel (Vignette)

1854 reprint

Print made by Edward Webb, active 1805–1854

Bowes Tower (Vignette)

1834

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower (Vignette)

1834

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by Lumb Stocks, 1812–1892, British

Apollo Killing the Python

between 1859 and 1861

Print made by Samuel Bradshaw, 1830–1869, British

View of Orvieto

between 1859 and 1861

Print made by Robert Wallis, 1794–1878, British

Kilchurn Castle

1854

Print made by John Le Keux, 1783–1846, British

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

Print made by Thomas Cook, 1744–1818, British

Time Smoking a Picture

early 1800s

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Medium line engraving

Genre landscape

Height [cm] 20

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Medium line engraving

Genre landscape

Height [cm] 20

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