Medium: line engraving / Genre: architectural subject - YCBA Collections Search Search Results

Print made by unknown artist, (de Bois)

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist, (Dubois)

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by Robert Brandard, 1805–1862, British

St. Florent

1833

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by James Baylis Allen, 1803–1876, British

Havre

1834

Print made by Robert Brandard, 1805–1862, British

Graville

1834

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by William Miller, 1796–1882, British

Rouen, looking down the river

1834

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by John Cousen, 1804–1880, British

Château Gaillard, from the South (Vignette)

1835

Print made by John Cousen, 1804–1880, British

Château Gaillard, from the South (Vignette)

1835

Print made by John Cousen, 1804–1880, British

Bridge of Meulan

1835

Print made by John Cousen, 1804–1880, British

Bridge of Meulan

1835

Print made by James T. Willmore, 1800–1863, British

The Lanterne of St. Cloud

1835

Print made by James T. Willmore, 1800–1863, British

The Lanterne of St. Cloud

1835

Print made by Edward Francis Finden, 1791–1857, British

Bridge over St. Cloud from Sevres

1835

Print made by James T. Willmore, 1800–1863, British

Paris from the Barriere de Passy

1835

Print made by James T. Willmore, 1800–1863, British

Paris from the Barriere de Passy

1835

Print made by William Radclyffe, 1780–1855, British

Marche aux Fleurs and Pont-au-Change

1835

Print made by William Miller, 1796–1882, British

Pont-Neuf, Paris

1835

Print made by Robert Brandard, 1805–1862, British

Château Hamelin

1833

Print made by John Horsburgh, 1791–1869, British

Dryden's Monument

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882, British

Dumbarton Castle

1834

Print made by William Miller, 1796–1882, British

Abbotsford from the Northern Bank of the Tweed

1839

Print made by Edward Francis Finden, 1791–1857, British

Jerusalem, Pool of Bethesda

1835-1836

Print made by Robert Wallis, 1794–1878, British

Havre, Tower of Francis I

1834

Print made by Robert Pollard, 1755–1838, British

View of Hanover Square

1787

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835, British

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by R.C. Roffe, active in London 1806–1835, British

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

Print made by Thomas Talbot Bury, 1811–1877, British

Elevation of the River Front

ca. 1835

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Thomas Sutherland, ca. 1785–1838, British

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by George Barret Jr., 1767–1842, British

Marriage of Henry the seventh

1796

James Basire the younger The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire the younger, 1769–1822, British

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815

Print made by George Vertue, 1684–1756, British

William Cavendish of Newcastle

1739

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Inside of the Vestibulum

1764

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Design for a House in a "Theatrical Style" for Paul Methuen

undated

Print made by Michael "Angelo" Rooker, 1746–1801, British

A View of the Prince's House at Kew

1776

Print made by Benjamin Green, ca. 1736–ca. 1800, British

The Welch Bridge at Shrewsbury

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart

1775

Print made by Michael "Angelo" Rooker, 1746–1801, British

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

1775

Charles Robert Cockerell, 1788–1863, British

The Temple of Venus in the Port at Aegina: Elevations

1811

Print made by Edward Francis Finden, 1791–1857, British

Ancient Temple at Kunkhul

ca. 1840

Published by Giovanni Giacomo de Rossi, 1627–1691, Italian

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

between 1546 and 1590

Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

between 1546 and 1590

Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

between 1546 and 1590

Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

between 1546 and 1590

Print made by S. Fisher, active 1831–1844

Shrine of Raiman Shah Doola, Ellichpur

ca. 1840

Print made by Thomas Higham, 1796–1844, British

Pilgrims at the Sacred Fair of Hurdwar

1836

Print made by James Baylis Allen, 1803–1876, British

View at Simla

ca. 1840

Print made by James Redaway, 1797–1858, British

A Suttee

1844

Print made by Thomas Higham, 1796–1844, British

Tombs of the Kings of Golconda

1837

Print made by W. J. Cook, active 1830s–1840s, British

Hurdwar, A Place of Hindoo Pilgrimage

1831

Print made by Thomas Jeavons, ca. 1800–1867, British

Bejapore

1834

Print made by E. Benjamin, active 1840s, British

Mountain Temples, Lake of Aboo

ca. 1840

Print made by John Byrne, 1786–1847, British

A View of Hall-head Sugar Plantation, Jamaica

1816

Print made by W. Taylor, active ca. 1834

Sarnat, A Boodh Monument near Benares

1834

Print made by Thomas Barber, ca. 1768–1843, British

Temple of Juggernaut

1844

Print made by James Sands, active 1813–1846

Death of Bishop Heber

1844

Print made by unknown artist, nineteenth century

Cootub Minar, Delhi

ca. 1845

Print made by William Miller, 1796–1882, British

The British Residency at Hyderabad

ca. 1845

Print made by unknown artist, nineteenth century

The King's Palace at Delhi

ca. 1860

Print made by unknown artist, nineteenth century

The Residency, Lucknow

ca. 1860

Print made by W. Floyd, active 1845

The Celebrated Hindoo Temples and Palace at Madura

ca. 1845

Print made by unknown artist, nineteenth century

View of Calcutta from the Esplanade, No. 2

ca. 1860

Print made by François-Louis Couché, 1782–1849, French

Tombeau de Tippoo Saeb; De Beaussel, Lauriston

1835

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Temple of Aesculapius

1764

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Porta Ferrea

1764

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Another View of the Temple of Aesculapius

1764

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by Robert Sargent Austin, 1895–1973, British

Barbara

between 1928 and 1930

Print made by Robert Sargent Austin, 1895–1973, British

Still Life, Perugia

1933

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1820

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Henry Le Keux, 1787–1868, British

High Street, Edinburgh

1819

Print made by Henry Le Keux, 1787–1868, British

Heriot's Hospital

1822

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1826-1837

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Medium line engraving

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