Medium: line engraving / Exhibition History: Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) / Image Available: Available

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Medium line engraving

Exhibition History Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

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Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lyme Regis, Norfolk

1836

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1822

Print made by Edward Goodall, 1795–1870, British

The Fall of the Rebel Angels

1835

Print made by Robert Wallis, 1794–1878, British

Sinai's Thunder

1837

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Etched by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1818

Print made by John Landseer, 1769–1852, British

High Force or Fall of the Tees

1821

Print made by Edward Goodall, 1795–1870, British

Fall of the Tees, Yorkshire

1827

Print made by Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

Print made by William Radclyffe, 1780–1855, British

Salisbury, Wiltshire

1830

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

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