Medium: line engraving / Period: 19th century / Height [cm]: 31

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by John Landseer, 1769–1852, British

Cascade of Terni

1818-1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Print made by Edward Francis Finden, 1791–1857, British

Gibraltar

1832-1834

Print made by Edward Francis Finden, 1791–1857, British

Negropont

1832-1834

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by William Finden, 1787–1852, British

Rhodes

1833

Print made by James C. Allen, active 1821–1831, British

Orford Castle and St. George's Tower

ca. 1830

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Bridport, Dorsetshire

1820

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Edmund Turrell, active 1835–1860, British

The Temple of Aphaia at Aegina: Elevations

undated

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by William Miller, 1796–1882, British

The Dead Eagle - Oran

1837

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1831

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Robert Brandard, 1805–1862, British

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Robert Brandard, 1805–1862, British

Rietz near Saumur

1833

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by William Finden, 1787–1852, British

The Drachenfels

1833

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by George T Doo, 1800–1886, British

John Greenhill

undated

Print made by James Baylis Allen, 1803–1876, British

Havre

1834

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Remi Parr, active 1723–1750, British

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758, French

Sweet William's Farewell to Black Eyed Susan

undated

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by unknown artist, nineteenth century

Caractacus before Claudius

1816

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1819

Print made by John Landseer, 1769–1852, British

Casade of Terni

1819

Etched by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1818

Print made by George Cooke, 1781–1834, British

Brighthelmstone, Sussex

1825

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by John Landseer, 1769–1852, British

High Force or Fall of the Tees

1821

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College

1802

Print made by James Basire the younger, 1769–1822, British

A View of the Chapel and Hall of Oriel College

1801

Print made by Samuel Cousins, 1801–1887, British

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887, British

The Calmady Children

1835

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869, British

Bermerside

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828-1837

Print made by Robert Wallis, 1794–1878, British

Havre

1833

Print made by William Sharp, 1749–1824, British

William Sharp

1817

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Reverend Hugh Blair, D.D

1801

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

unknown artist

Craven House, Craven Building, Drury Lane

1800

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James Baylis Allen, 1803–1876, British

Phryne going to the Bath as Venus

between 1859 and 1861

Print made by Thomas Jeavons, ca. 1800–1867, British

Canal of the Loire and Cher, near Tours

1833

Print made by James T. Willmore, 1800–1863, British

Barnard Castle

1831

Print made by William Miller, 1796–1882, British

St. Michael's Mount, Cornwall

1866

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium line engraving

Period 19th century

Height [cm] 31

YCBA Collections Search

Refine your search

Search Constraints

Medium line engraving

Period 19th century

Height [cm] 31

Search Results