Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
4
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
5
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
39
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
40
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
41
Print made by John Harris the elder, 1767–1832, British
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
42
Print made by John Harris the elder, 1767–1832, British
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
43
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
44
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
45
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
46
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
47
Print made by George Vertue, 1684–1756, British
William Cavendish of Newcastle
1739
48
Print made by Jacobus Houbraken, 1698–1780, Dutch
Thomas Wentworth, 1st Earl of Stratford
1740
49
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
50
Robert Mitchell Meadows, Died before 1812, British
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
51
Peltro W. Tomkins, 1760–1840, British
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
52
Print made by John Keyse Sherwin, c.1751–1790, British
The Fortune Teller
1784
53
Charles Grignion, 1717–1810, British
A French Petit Maître and His Valet
1771
54
Sutton Nicholls, active 1725, British
Southampton or Bloomsbury Square
1754
55
Print made by Thomas Chambars, ca. 1724–1789, British
Mrs. Quarrington as St. Agnes
ca. 1787
56
Simon François Ravenet, 1706–1774, French, active in Britain
The Good Samaritan
1772
57
Print made by Joseph Ryland, active ca. 1775–1790
A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
undated
58
Simon François Ravenet, 1706–1774, French, active in Britain
The Pool of Bethesda
1772
59
Edward Rooker, 1724–1774, British
Perspective View of the Bridge at Sion
1768
60
Pierre Charles Canot, ca. 1710–1777, French, active in Britain