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Medium line engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms women

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827, British

I Found Him Beneath a Tree; Plate 3

1793

William Blake Fear & Hope Are -- Vision; Plate 15

Print made by William Blake, 1757–1827, British

Fear & Hope Are -- Vision; Plate 15

1793

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779, British

Bristol High Cross

1734

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733, French, active in Britain

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tom Jones Assisting Molly Seagrim

1782

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768, British

Lot and His Family

ca. 1718

John Goldar The Sacrifice

John Goldar, 1729–1795, British

The Sacrifice

1767

John Goldar The Refusal

John Goldar, 1729–1795, British

The Refusal

1768

Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Charles Grignion, 1717–1810, British

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802, British

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist, (Dubois)

A View of the Royal Palace at Naples

undated

unknown artist A View of the Piazza Navona in the City of Rome

Print made by unknown artist, (de Bois)

A View of the Piazza Navona in the City of Rome

undated

unknown artist A View of the Piazza del Popolo in the City of Rome

Print made by unknown artist, (de Bois)

A View of the Piazza del Popolo in the City of Rome

undated

unknown artist Spanish Palace at Naples

Print made by unknown artist, (de Bois)

Spanish Palace at Naples

undated

unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea

Print made by unknown artist, (de Bois)

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Robert Pollard View of Queen Square

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

William Kentridge Study for ‘Atlas Procession'

Print made by William Kentridge, born 1955, South African

Study for ‘Atlas Procession'

2000

Robert Sargent Austin Wood Carriers

Print made by Robert Sargent Austin, 1895–1973, British

Wood Carriers

1932

Robert Sargent Austin Still Life, Perugia

Print made by Robert Sargent Austin, 1895–1973, British

Still Life, Perugia

1933

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810, British

Britannia Allegory

between 1743 and 1747

Robert Sargent Austin Four Friends

Print made by Robert Sargent Austin, 1895–1973, British

Four Friends

1947

Joseph Collyer David Hume

Print made by Joseph Collyer, 1748–1827, British

David Hume

undated

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876, British

The Dreams of the Youthful Shakespeare

1827

Georg Goldberg "Antony and Cleopatra," Act III, Scene XI

Georg Goldberg, 1830–1894, German

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834, British

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819, British

The Cotillion Dance

1771

Robert Smirke Taming of the Shrew

Robert Smirke, 1752–1845, British

Taming of the Shrew

1821

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834, British

"Mark your divorce young sir, whom son I dare not call"

1804

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

James Charles Armytage The Balcony

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810, British

A View from Richmond Hill Up the River

1794

William John Cooke Worcester

Print made by William John Cooke, 1797–1865, Irish

Worcester

undated

Simon François Ravenet The Pool of Bethesda

Simon François Ravenet, 1706–1774, French, active in Britain

The Pool of Bethesda

1772

unknown artist The Methodist Tailor Caught in Adultery

Print made by unknown artist, (Cabbage )

The Methodist Tailor Caught in Adultery

1768

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling in the Banqueting House at Whitehall

ca. 1720

William Byrne Carnarvon Castle

William Byrne, 1743–1805, British

Carnarvon Castle

1775

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

William Sharp Niobe

Print made by William Sharp, 1749–1824, British

Niobe

1792

William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Jacques Bouillard Franciscus Bartolozzi

Print made by Jacques Bouillard, 1744–1806, French

Franciscus Bartolozzi

undated

Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures

Charles Grignion, 1717–1810, British

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

unknown artist Messrs. Morgan & Sanders, Catherine St., Strand

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809