Medium: line engraving / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 38

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

William Hogarth, 1697–1764, British

The Bruiser

1763

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Jacobsz Delff, 1580–1638, Dutch

Michael Mirevelt

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Ioannes T'Serclaes

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Cornelius Poelenbourch

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Gerardus Hontborst

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Palamedes Palamedessen

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Theodorus Rombouts

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Cæsar Alexander Scaglia

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Henricus Steenwyck

ca. 1635

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

Vale of Heathfield, Sussex

1818

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Thomas Jeavons, ca. 1800–1867, British

Lyme Regis, Norfolk

1836

Print made by John Pye, 1782–1874, British

Paestum (vignette)

1830

Print made by James C. Allen, active 1821–1831, British

Lowestoffe

ca. 1830

Print made by John Landseer, 1769–1852, British

Alum Bay, Isle of Wight

1799

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822, British

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by George Cooke, 1781–1834, British

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by Henry Le Keux, 1787–1868, British

Heriot's Hospital

1822

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Landseer, 1769–1852, British

Orchard Bay

1799

Print made by John Landseer, 1769–1852, British

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852, British

Shanklin Castle

1799

Print made by John Landseer, 1769–1852, British

Cowes

1799

Print made by Joseph Powell, 1780–1834, British

Winchester Cross

1800

Print made by William Bernard Cooke, 1778–1855, British

The Spot where Harold Fell

1816

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by Edward Goodall, 1795–1870, British

Florence (vignette)

1830

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Etched by Samuel Middiman, ca. 1750–1831, British

The Temple of Jupiter in the Island of Aegina

1828

Etched by Samuel Middiman, ca. 1750–1831, British

The Temple of Jupiter in the Island of Aegina

1828

Print made by Richard Cooper the Younger, 1740–1814, British

Sir William Beechey, R. A

1814

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

William Henry Toms, ca. 1700–ca. 1750, British

The South - West View of the Parish Church of Ecton in Northamptonshire

1749

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1833

Print made by Edward Goodall, 1795–1870, British

The Alps at Daybreak

1834

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by Robert Pollard, 1755–1838, British

View of London Bloomsbury Square

1787

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert Pollard, 1755–1838, British

View of Hanover Square

1787

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Print made by Thomas Talbot Bury, 1811–1877, British

Elevation of the River Front

ca. 1835

Print made by Jacobus Houbraken, 1698–1780, Dutch

James Graham Marquess of Montrose

1740

Print made by Charles Rolls, 1800–active 1830, British

The Wayside in Italy

ca. 1883

Print made by Charles Mosley, c.1720–c.1770

O the Roast Beef of Old England, &c

1749

Print made by Bernard Baron, 1696–1762, French

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774, French, active in Britain

Marriage à la Mode, Plate 5

1745

Print made by Jacobus Houbraken, 1698–1780, Dutch

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by Jacobus Houbraken, 1698–1780, Dutch

William Russell, Earl of Bedford

1738

Print made by John Landseer, 1769–1852, British

Casade of Terni

1819

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard. No. 1

1830

Print made by Robert Wallis, 1794–1878, British

St. Maurice

1827

Print made by Henry Le Keux, 1787–1868, British

Aosta

1830

Print made by William Bernard Cooke, 1778–1855, British

Martigny

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870, British

Florence

1830

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mary Queen Of Scots

1779

Print made by Charles Heath, 1785–1848, British

Benjamin West, Esq., President of the Royal Academy of London

1818

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Title Page: Bartolozzi's Works

1796

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by Marc Antonio Raimondi, ca. 1480–ca. 1534, Italian

Secondo Tenpio De Giove in Capitolio

1546-1590

George Vertue, 1684–1756, British

James Craggs, the Younger

1720

Etienne Fessard, 1714–1777, French

Monsieur Gaultere

undated

Print made by William Miller, 1796–1882, British

The Grand Canal, Venice

1838

Print made by George Vertue, 1684–1756, British

Sir Matthew Hale

1735

Thomas Trotter, ca. 1750–1803, British

Lord Morpeth

1787

Print made by Robert Pollard, 1755–1838, British

Boys Playing at Peg Top

1786

Print made by Samuel Cousins, 1801–1887, British

Lady Acland and Children

1826

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Lucas van Uden

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Catharinæ Howard

ca. 1635

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Medium line engraving

On-site Access Accessible by appointment in the Study Room

Height [cm] 38

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Medium line engraving

On-site Access Accessible by appointment in the Study Room

Height [cm] 38

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