Medium: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Fund

Print made by William Blake, 1757–1827, British

Rev. John Caspar Lavater (1787-1801)

1800

Print made by John Alexander, 1686–before 1768, British

Lot and His Family

ca. 1718

Print made by John Russell, 1745–1806, British

Lunar Planisphere, Flat Light

1805

Print made by Edward Le Davis, active 1671–1691, British

Catherine of Braganza

1682

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Print made by John Russell, 1745–1806, British

Lunar Planisphere, Hypothetical Oblique Light

1806

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by John Keyse Sherwin, c.1751–1790, British

Mary Isabella, Duchess of Rutland

1791

Print made by Johann Friedrich Bause, 1738–1814, German

Girl Smiling

1784

Print made by Ludwig von Siegen, 1609–c.1680, German

Mary Stuart, Princess of Orange

1643

Print made by Samuel Cousins, 1801–1887, British

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887, British

The Calmady Children

1835

Print made by Samuel Cousins, 1801–1887, British

Miss Croker

1828

Print made by Samuel Cousins, 1801–1887, British

Mary Elizabeth, Countess Grey, with Her Two Children

1831

Print made by Samuel Cousins, 1801–1887, British

Julia, Lady Peel

1832

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Georgiana, Duchess of Devonshire

1778

Print made by John Condé, 1765–1794, French, active in Britain

Mrs. Fitzherbert

1792

Print made by John Condé, 1765–1794, French, active in Britain

His Royal Highness George Prince of Wales

1794

Print made by Samuel Cousins, 1801–1887, British

Sunshine of Love

1837

Print made by William Faithorne, ca. 1620–1691, British

Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa

1670

Print made by George Vertue, 1684–1756, British

Bookplate: The Spalding Gentlemen's Society

1746

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Augustus Fox, 1800–1876, British

The Dreams of the Youthful Shakespeare

1827

James Faed Sr., 1821–1911, British

Shakespeare in His Study

1859

Georg Goldberg, 1830–1894, German

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath, 1757–1834, British

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834, British

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Print made by William Bromley, 1769–1842, British

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

James Heath, 1757–1834, British

William Henry West Betty

1806

James Heath, 1757–1834, British

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Robert Mitchell Meadows, Died before 1812, British

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

William Nutter, 1754–1802, British

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Peter Simon, 1750–1810

Taming Of The Shrew, Act III, Scene II

1795

Benjamin Smith, 1775–1833, British

"Tempest", Act I, Scene I

1797

Peltro W. Tomkins, 1760–1840, British

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Print made by Jan van de Velde IV, ca. 1620–1686, Dutch

Oliver Cromwell, P.R.O.C

ca. 1655

Print made by Theodore Casper von Furstenberg, ca. 1615–1675, German

Head of St. John Baptist on a Charger

ca. 1656

Print made by William Sharp, 1749–1824, British

John Hunter, F.R.S

1788

Print made by Samuel Cousins, 1801–1887, British

Mrs. Lister

1834

Print made by Robert Pollard, 1755–1838, British

Boys Playing at Peg Top

1786

Print made by Robert Graves, 1798–1873, British

William Esdaile

1826

Print made by Leopold Flameng, 1831–1911, French

Grolier with the Printer Aldus Manutius

1882

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

William Murray First Earl of Mansfield

1786

Print made by George Dawe, 1781–1829, British

Miss Mary Anne Kirkley

1801

Print made by John Keyse Sherwin, c.1751–1790, British

The Fortune Teller

1784

Print made by William Sharp, 1749–1824, British

John Hunter, F.R.S

1788

Print made by Samuel Cousins, 1801–1887, British

Lady Acland and Children

1826

Print made by Samuel Cousins, 1801–1887, British

Master Henry Thomas Hope

1836

Print made by William Sharp, 1749–1824, British

William Sharp

1817

Print made by Samuel Cousins, 1801–1887, British

The Orphan

1834

Print made by Samuel Cousins, 1801–1887, British

The Visionary

1833

Print made by William Henry Worthington, ca. 1790–active 1839, British

Sir Humphrey Davy

1827

Print made by Henri Toussaint, 1849–1911, French

John Paul Jones

1906

Print made by Ludwig von Siegen, 1609–c.1680, German

William II, Prince of Orange

1644

Print made by Robert Robinson, active 1674–1706, British

Still Life with Tankard and Dessert Dish

ca. 1685

James Heath, 1757–1834, British

"Mark your divorce young sir, whom son I dare not call"

1804

Thomas Morris, born 1771, British

A View of the Tomb of the Emperor Sher Shah at Sasseram in Bahar

1786

James T. Willmore, 1800–1863, British

Byron's Dream

1833

Print made by Thomas Chambars, ca. 1724–1789, British

Mrs. Quarrington as St. Agnes

ca. 1787

Print made by Robert Sargent Austin, 1895–1973, British

Before Mass

1927

Print made by Edward Goodall, 1795–1870, British

Rocks at Colgong on the Ganges

1836

Print made by Samuel Fisher, 1806–1851, British

Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

between 1821 and 1851

Print made by John Le Keux, 1783–1846, British

St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

1822

Print made by Edward Goodall, 1795–1870, British

Oxford from North Hinksey

1841

Print made by Robert Robinson, active 1674–1706, British

A Flower Piece

between 1683 and 1688

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

1793

Print made by Samuel Cousins, 1801–1887, British

Lady Harriet Clive

1840

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

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