Medium: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: trees

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

Print made by William Blake, 1757–1827, British

I Found Him Beneath a Tree; Plate 3

1793

Print made by William Blake, 1757–1827, British

Alas!; Plate 9

1793

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

Print made by William Blake, 1757–1827, British

Water; Plate 4

1793

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Etched by Thomas Gainsborough, 1727–1788, British

The Gipsies

1764

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Print made by unknown artist, (Dubois)

A View of Several Palaces at Naples at Sun Rise

undated

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by William Forrest, 1802–1889

Abbotsford, Large Vignette

1836

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1773

Print made by unknown artist, (Dubois)

A View of the Royal Palace at Naples

undated

Print made by William Richardson, active 1842–1877, British

Ashestiel

1835

Print made by unknown artist, (de Bois)

Spanish Palace at Naples

undated

Print made by unknown artist, (de Bois)

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist, (Dubois)

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco de Grado, (?), active 1693, Italian

Antonio Vandyck

ca. 1693

Print made by George Richmond, 1809–1896, British

The Shepherd

1827

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by A. Birrell, ca.1770–ca. 1820, British

John Home, Esq

1799

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Print made by John Browne, 1741–1801, British

The Sportsman

1775

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

M. J. Starling, active 1830

Belvoir Castle, Rutland

1835

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Charles Grignion, 1717–1810, British

A View of the Bridge at Walton-on-Thames in Surrey

1752

Charles Grignion, 1717–1810, British

A View from Richmond Hill Up the River

1794

Print made by William Angus, 1752–1821, British

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Gerard van der Gucht, 1696–1776, British

Tellicherry

1736

Simon François Ravenet, 1706–1774, French, active in Britain

The Good Samaritan

1772

Simon François Ravenet, 1706–1774, French, active in Britain

The Pool of Bethesda

1772

Christian Friedrich Duttenhoffer, 1778–1846, German

Solitude

1802

William Woollett, 1735–1785, British

Solitude

1778

William Woollett, 1735–1785, British

Dido and Aeneas

1787

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by James Caldwall, 1739–1819, British

Ham Court, the Seat of John Martin, Esq

undated

Print made by John Burnet, 1784–1868, British

Buckingham House, St. James' Park

1810

Print made by George Cooke, 1781–1834, British

Tooting Church

1827

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by unknown artist, (J. Appleton)

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Anacreontic Society Meeting

1779

William Woollett, 1735–1785, British

Snowden Hill

1775

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Blockley Church

ca. 1793

Print made by James Caldwall, 1739–1819, British

Hagley Hall

undated

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms trees

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms trees

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