Medium: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 41

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817, Swiss

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Etched by Samuel Middiman, ca. 1750–1831, British

High Street, Oxford

1812

Print made by James T. Willmore, 1800–1863, British

Destruction of Both Houses of Parliament

1835

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by William Miller, 1796–1882, British

Nantes

1833

Print made by John Cousen, 1804–1880, British

Light Towers of the Heve, vignette for title page

1834

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by John Cousen, 1804–1880, British

Light Towers of the Heve

1834

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Print made by James T. Willmore, 1800–1863, British

Fire at Sea

1835

John Wood, 1728–1781, British

The View from One Tree Hill in Greenwich Park

1744

Print made by Etienne Dupérac, ca. 1535–1604, French

Insula Tiberina

1582

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Pantheum Romanum nunc Mariae Cognomento

1549

Charles Grignion, 1717–1810, British

A French Petit Maître and His Valet

1771

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Franciscus de Moncada

ca. 1635

Sutton Nicholls, active 1725, British

Southampton or Bloomsbury Square

1754

Simon François Ravenet, 1706–1774, French, active in Britain

The Good Samaritan

1772

Joseph Ryland A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

Print made by Joseph Ryland, active ca. 1775–1790

A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

undated

Simon François Ravenet, 1706–1774, French, active in Britain

The Pool of Bethesda

1772

Edward Rooker, 1724–1774, British

Perspective View of the Bridge at Sion

1768

Pierre Charles Canot, ca. 1710–1777, French, active in Britain

The Great Bridge over the Taafe

1775

Print made by Edward Francis Finden, 1791–1857, British

Genoa

1832-1834

James Mitchell, 1791–1852, British

Rat Hunters

1830

William Elliot, active 1774, died 1792, British

Kilgarren Castle, South Wales

1765

James Mason, 1710–1783, British

Pembroke Town and Castle

1775

Print made by Edward Francis Finden, 1791–1857, British

Santa Maria della Spina, Pisa

1832-1834

Print made by James T. Willmore, 1800–1863, British

Dover

1851

Print made by James T. Willmore, 1800–1863, British

Dover

1851

Print made by William Miller, 1796–1882, British

St. Michael's Mount, Cornwall

1866

Print made by Thomas Abiel Prior, 1809–1886, British

Dido Building Carthage

1863

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 41

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 41

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