Medium: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 18th century-19th century

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

Print made by William Bromley, 1769–1842, British

Portrait of Fuseli

undated

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Charles Grignion, 1717–1810, British

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Print made by Joseph Collyer, 1748–1827, British

John Bacon, Esq., R. A

undated

Print made by John Carter, 1748–1817, British

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Charles Grignion, 1717–1810, British

James Paine

undated

Print made by unknown artist, (Delgorgue)

Portrait de Van-Dyck

undated

Print made by Robert Cooper, ca. 1800–1836, British

Julius Caesar Ibbetson

undated

Print made by Pierre Audouin, 1768–1822, French

Angelica Kauffman

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cavalry Man Attacking Foot Soldiers

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae

undated

Capt. Francis Grose, 1731–1791, British

Cowdray Court from the Lodging House

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Memorial: Woman and Dog Grieving Over Portrait of a Man

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cecilia

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Concert Ticket, Composed By, Giovanni Christiano Bach

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Richard Wynne

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Two Putti, One Drawing The Other

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Acer Amor Fractas Utinam Tua Tela Sagittas, Scilicet Extinctas Aspiciamque Faces

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Miniature Portrait of ? Oliver Cromwell

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Thomas Hollis

1767

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Memorial: Woman and Dog Grieving Over Portrait of a Man

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

B. Petrus Acotanto Nobilis Venetus Charitate in Pauperes Insinis Ob. An 1187

undated

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Diana and Cupids

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Design, For A Coin, Or, A Medallion

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallion: Head of a Helmeted Warrior with a Shield decorated with a Horse

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vignette: Angel Holding Long Trumpets..

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Last Supper

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vignette: Lettered "Bono Eventui"

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Two Cupids Supporting Coat of Arms

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vignette With Putti Carrying Hermes Staff And Lyre And Angel Blowing Trumpet, Three Muses

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Putti Assisting Woman Carve A Bust Of A Soldier

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Joanes Baptista Girri Foroliviensis

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Alessandro Leno: Cavaliere Della Stola D'Oro

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Artemis, Riding Her Chariot, Driven By Two Golden Horned Deer

undated

Burnett Reading, active 1776–1822

Horace Walpole

undated

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Robert Smirke, 1752–1845, British

Tempest

1821

Robert Smirke, 1752–1845, British

Taming of the Shrew

1821

James Basire the younger, 1769–1822, British

St. Martin, Outwich

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Richard Wynne

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vignette; Pulto With Tablet And Hermes's Staff

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vignette, Apollo And Cupid

undated

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Helios, Riding His Chariot, Driven By Four White Horses

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Colonel Stanley

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lady Gertrude, Marchioness of Halifax

undated

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by Jacques Bouillard, 1744–1806, French

Franciscus Bartolozzi

undated

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

William Sharp, 1749–1824, British

John Philip Kemble

undated

unknown artist

Rotherhithe Tunnel

undated

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 18th century-19th century

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Medium line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 18th century-19th century

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