Medium: line engraving / Creator Gender: male / Classification: Prints

Print made after George Stubbs, 1724–1806, British

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806, British

Plate X, Fowl Body, Lateral View

1804

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth, 1697–1764, British

The Bruiser

1763

Print made by William Hogarth, 1697–1764, British

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

Print made by William Hogarth, 1697–1764, British

Plate 1, The Fellow 'Prentices at their Looms

1747

Print made by William Hogarth, 1697–1764, British

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

Print made by William Hogarth, 1697–1764, British

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

Print made by William Hogarth, 1697–1764, British

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

Print made by William Hogarth, 1697–1764, British

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

Print made by William Hogarth, 1697–1764, British

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

Print made by William Hogarth, 1697–1764, British

Strolling Actresses Dressing in a Barn

1738

Print made by William Hogarth, 1697–1764, British

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764, British

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

Print made by William Hogarth, 1697–1764, British

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

Print made by William Hogarth, 1697–1764, British

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

Print made by William Hogarth, 1697–1764, British

Simon Lord Lovat

1746

Print made by William Hogarth, 1697–1764, British

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

after Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851, British

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851, British

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851, British

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851, British

Tours - Looking Backward

1833

Print made by William Hogarth, 1697–1764, British

The Invasion, Plate 1: France

1756

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 3

1732

Print made by William Hogarth, 1697–1764, British

Paul Before Felix

1752

Print made by William Hogarth, 1697–1764, British

The Stage-Coach, or the Country Inn Yard

1747

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

The Invasion, Plate 2: England

1756

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 1

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 6

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 5

1732

Print made by William Hogarth, 1697–1764, British

Emerald Vessel

1723

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Print made by William Hogarth, 1697–1764, British

A Midnight Modern Conversation

1733

Print made by William Hogarth, 1697–1764, British

After

1736

Print made by William Hogarth, 1697–1764, British

Before

1736

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 4

1732

after William Hogarth, 1697–1764, British

Simon, Lord Lovat

1746

William Blake, 1757–1827, British

Epicurus

1821

William Blake, 1757–1827, British

Theocritus

1821

William Blake, 1757–1827, British

Octavius Augustus Cæsar

1821

William Blake, 1757–1827, British

From Antique Coins

1821

William Blake, 1757–1827, British

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

Romeo and Juliet, Act IV, Scene V

1799

Print made by William Blake, 1757–1827, British

Rev. John Caspar Lavater (1787-1801)

1800

Print made by William Blake, 1757–1827, British

Introduction to the Fables, The Shepherd and the Philosopher

1793

Print made by William Blake, 1757–1827, British

Fable VI. The Miser and Plutus

1793

Print made by William Blake, 1757–1827, British

Fable XXII. The Goat Without a Beard

1793

Print made by William Blake, 1757–1827, British

Fable XXIV. The Butterfly and the Snail

1793

Print made by William Blake, 1757–1827, British

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

Print made by William Blake, 1757–1827, British

Fable XXX. The Setting-dog and the Partridge

1793

Print made by William Blake, 1757–1827, British

Fable XLI. The Owl and the Farmer

1793

Print made by William Blake, 1757–1827, British

Fable I. The Dog and the Fox

1793

Print made by William Blake, 1757–1827, British

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827, British

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake, 1757–1827, British

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827, British

Fable XVI. The Pin and the Needle

1793

Print made by William Blake, 1757–1827, British

Fable XIII. The Tame Stag

1793

Print made by William Blake, 1757–1827, British

Fable XII. Pan and Fortune

1793

William Blake, 1757–1827, British

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium line engraving

Creator Gender male

Classification Prints

YCBA Collections Search

Refine your search

Search Constraints

Medium line engraving

Creator Gender male

Classification Prints

Search Results