Medium: line engraving / Creator Gender: male / Subject Terms: science

Print made by William Hogarth, 1697–1764, British

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

What is Man!, Frontispiece; Plate 1

1793

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by Benjamin Green, ca. 1736–ca. 1800, British

Oxford Physic Garden

1766

Print made by Adam Ludwig Wirsing, 1733–1797, German

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832, British

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by James Caldwall, 1739–1819, British

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832, British

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797