Medium: line engraving / Creator Gender: male / Height [cm]: 31

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 4

1732

Print made by William Blake, 1757–1827, British

Romeo and Juliet, Act IV, Scene V

1799

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by John Landseer, 1769–1852, British

Cascade of Terni

1818-1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Print made by Edward Francis Finden, 1791–1857, British

Gibraltar

1832-1834

Print made by Edward Francis Finden, 1791–1857, British

Negropont

1832-1834

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by William Finden, 1787–1852, British

Rhodes

1833

Print made by James C. Allen, active 1821–1831, British

Orford Castle and St. George's Tower

ca. 1830

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Bridport, Dorsetshire

1820

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Edmund Turrell, active 1835–1860, British

The Temple of Aphaia at Aegina: Elevations

undated

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by William Miller, 1796–1882, British

The Dead Eagle - Oran

1837

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1831

Print made by William Miller, 1796–1882, British

Loch Katrine

1834

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Robert Brandard, 1805–1862, British

Jedburgh Abbey

1834

Alexander Bannerman, ca. 1730–1780

Simon Du Bois

undated

Alexander Bannerman, ca. 1730–1780

Sevonyans and Herbert Tuer

1762

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Robert Brandard, 1805–1862, British

Rietz near Saumur

1833

Print made by Paul Fourdrinier, 1698–1758, French

A Sea Engagement between the English and Algerines

ca. 1743

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by William Finden, 1787–1852, British

The Drachenfels

1833

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by George T Doo, 1800–1886, British

John Greenhill

undated

Alexander Bannerman, ca. 1730–1780

Sir Toby Matthews

undated

Alexander Bannerman, ca. 1730–1780

Van Diest and Le Piper

undated

Print made by James Baylis Allen, 1803–1876, British

Havre

1834

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Alexander Bannerman, ca. 1730–1780

Murray

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Cornelius Ketel

undated

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Remi Parr, active 1723–1750, British

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758, French

Sweet William's Farewell to Black Eyed Susan

undated

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1819

Print made by John Landseer, 1769–1852, British

Casade of Terni

1819

Etched by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1818

Stephen Frederick Gooden, 1892–1955, British

The Rider on the Lion

1924

unknown artist, ( Emile Giroux ? )

Van-Dyck (Antoine), Peintre + 1641

Alexander Bannerman, ca. 1730–1780

Robert White, P. Vansomer, Isaac Becket, John Start and William Elder

undated

Alexander Bannerman, ca. 1730–1780

Hamlet Winstanley

undated

Alexander Bannerman, ca. 1730–1780

Francis Wouters

undated

Alexander Bannerman, ca. 1730–1780

Gerard Zoust, Edema and Grifiere

undated

Francois Vivares, 1709–1780, French

The Lodge and Garden from the Great Lake

1772

Francois Vivares, 1709–1780, French

The Moat Island

1772

Alexander Bannerman, ca. 1730–1780

Verrio

undated

Print made by George Cooke, 1781–1834, British

Brighthelmstone, Sussex

1825

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by John Landseer, 1769–1852, British

High Force or Fall of the Tees

1821

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College

1802

Print made by James Basire the younger, 1769–1822, British

A View of the Chapel and Hall of Oriel College

1801

Print made by Robert Sargent Austin, 1895–1973, British

Four Friends

1946

Print made by Samuel Cousins, 1801–1887, British

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887, British

The Calmady Children

1835

Print made by William Faithorne, ca. 1620–1691, British

Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa

1670

James Fittler, 1758–1835, British

Sir John Borlase Warren

1799

John Keyse Sherwin, c.1751–1790, British

Captain James Cook

1784

George Vertue, 1684–1756, British

James Craggs, the Younger

1720

Thomas Major, 1714–1799, British

Lady Charlotte Finch (née Fermor)

1755

George Vertue, 1684–1756, British

Sir Robert Harley

1737

James Basire the younger, 1769–1822, British

Benjamin Hoadly, Bishop of Winchester

1771

Print made by George Vertue, 1684–1756, British

Sir Matthew Hale

1735

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 4

1773

Print made by Thomas Higham, 1796–1844, British

Rouen Cathedral

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869, British

Bermerside

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

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Medium line engraving

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Height [cm] 31

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Medium line engraving

Creator Gender male

Height [cm] 31

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