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John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

John Carter Impost and Base of Columns, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

unknown artist View of the Office of Ordnance with the Entrance of the House of Lords

unknown artist

View of the Office of Ordnance with the Entrance of the House of Lords

undated

John Carter East End, Painted Chamber

Attributed to John Carter, 1748–1817, British

East End, Painted Chamber

between 1793 and 1799

John Carter Plan of Princes Chamber, One Pair

Attributed to John Carter, 1748–1817, British

Plan of Princes Chamber, One Pair

between 1800 and 1807

John Carter East Front of Princes Chamber

Attributed to John Carter, 1748–1817, British

East Front of Princes Chamber

between 1800 and 1807

John Carter Princes Chamber, East Side with the Old House of Lords

Attributed to John Carter, 1748–1817, British

Princes Chamber, East Side with the Old House of Lords

between 1800 and 1807

John Carter Princes Chamber

Attributed to John Carter, 1748–1817, British

Princes Chamber

between 1800 and 1807

John Carter South Side of Princes Chamber West

Attributed to John Carter, 1748–1817, British

South Side of Princes Chamber West

between 1800 and 1807

John Carter Window Detail, Princes Chamber

Attributed to John Carter, 1748–1817, British

Window Detail, Princes Chamber

between 1800 and 1807

John Woods Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Charles James Richardson Drawing Room Ceiling, No. 3 Old Palace Yard

Charles James Richardson, 1806–1871, British

Drawing Room Ceiling, No. 3 Old Palace Yard

1871

Charles James Richardson Ceiling of Front Parlor House in Old Palace Yard

Charles James Richardson, 1806–1871, British

Ceiling of Front Parlor House in Old Palace Yard

1871

William Henry Toms The South-East Prospect of King Henry The VII's Chapel at Westminster

Print made by William Henry Toms, ca. 1700–ca. 1750, British

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

John Carter Buildings on East Side of Dean's Yard

Attributed to John Carter, 1748–1817, British

Buildings on East Side of Dean's Yard

between 1806 and 1815

James McNeill Whistler The "Adam and Eve," Old Chelsea

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The "Adam and Eve," Old Chelsea

1879

Louis Philippe Boitard The Earthquake Scare in Piccadilly

Louis Philippe Boitard, active 1734–1760

The Earthquake Scare in Piccadilly

1750

William Beilby Syon House, London

William Beilby, 1740–1819, British

Syon House, London

undated

Thomas Rowlandson Greenwich

Thomas Rowlandson, 1756–1827, British

Greenwich

1795 to 1800

Michael "Angelo" Rooker The Admiralty Building from Whitehall

Michael "Angelo" Rooker, 1746–1801, British

The Admiralty Building from Whitehall

1782

Michael Searles Design for a London Townhouse: Elevation

Michael Searles, 1750–1813, British

Design for a London Townhouse: Elevation

undated

Robert Dighton Cricket played by the Gentlemens Club, Whiteconduit House

Robert Dighton, 1752–1814, British

Cricket played by the Gentlemens Club, Whiteconduit House

1784

Robert Dighton Four Corners Played at the Swan, Chelsea

Robert Dighton, 1752–1814, British

Four Corners Played at the Swan, Chelsea

ca. 1784

John Carter East View of Modern Buildings in Continuation from St Stephen's Chapel

John Carter, 1748–1817, British

East View of Modern Buildings in Continuation from St Stephen's Chapel

between 1790 and 1802

unknown artist Entrance Doorway in the Tower, St Stephen's Chapel

unknown artist, eighteenth century

Entrance Doorway in the Tower, St Stephen's Chapel

undated

John Carter South View in the Entrance of Porch at West End of St. Stephen's Chapel West

John Carter, 1748–1817, British

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

John Carter Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Attributed to John Carter, 1748–1817, British

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

John Carter New East Front, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

New East Front, St Stephen's Chapel

ca. 1801

John Carter Springing of an Arch, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Springing of an Arch, St Stephen's Chapel

between 1790 and 1802

John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

ca. 1781

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Charles Grignion House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Print made by Charles Grignion, 1717–1810, British

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

unknown artist Entrance of the House of Lords with the Office of Ordnance

Print made by unknown artist, (A Smith)

Entrance of the House of Lords with the Office of Ordnance

undated

John Carter Plan of the Basement Story under the House of Lords

Attributed to John Carter, 1748–1817, British

Plan of the Basement Story under the House of Lords

between 1800 and 1807

John Carter Parts in Stone Underhouse of Lords

Attributed to John Carter, 1748–1817, British

Parts in Stone Underhouse of Lords

between 1800 and 1807

unknown artist View of the Higher House of Parliament in England

Print made by unknown artist

View of the Higher House of Parliament in England

ca. 1695

John Carter Palace at Westminster

Attributed to John Carter, 1748–1817, British

Palace at Westminster

between 1800 and 1807

John Carter Side Window, North, Painted Chamber

Attributed to John Carter, 1748–1817, British

Side Window, North, Painted Chamber

between 1793 and 1799

John Carter East Front of Painted Chamber

Attributed to John Carter, 1748–1817, British

East Front of Painted Chamber

between 1793 and 1799

John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Attributed to John Carter, 1748–1817, British

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

between 1793 and 1799

John Carter Wall Paintings

Attributed to John Carter, 1748–1817, British

Wall Paintings

between 1793 and 1799

John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch

Attributed to John Carter, 1748–1817, British

Enlarged Detail of Figures from Painting Shown in Previous Sketch

between 1793 and 1799

Charles James Richardson Sections of Room under Painted Chamber

Charles James Richardson, 1806–1871, British

Sections of Room under Painted Chamber

1827

John Carter Seats in Henry VII Chapel, Westminster Abbey

Attributed to John Carter, 1748–1817, British

Seats in Henry VII Chapel, Westminster Abbey

ca. 1793

Edward Rooker Henry the Seventh's Chapel

Print made by Edward Rooker, 1724–1774, British

Henry the Seventh's Chapel

undated

John Carter Continuation of the Preceeding Ornaments

Attributed to John Carter, 1748–1817, British

Continuation of the Preceeding Ornaments

1793

John Carter Door-way in Wall of South Precints of Westminster Abbey

Attributed to John Carter, 1748–1817, British

Door-way in Wall of South Precints of Westminster Abbey

undated

John Carter Line of Buildings on East Side, Dean's Yard

Attributed to John Carter, 1748–1817, British

Line of Buildings on East Side, Dean's Yard

between 1806 and 1815

John Carter Continuation of Details

Attributed to John Carter, 1748–1817, British

Continuation of Details

between 1806 and 1815

John Carter Window, Dean's Yard

Attributed to John Carter, 1748–1817, British

Window, Dean's Yard

between 1806 and 1815

John Carter Continuation of Detail

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

John Carter Continuation of Detail

Attributed to John Carter, 1748–1817, British

Continuation of Detail

between 1806 and 1815

John Carter Detail, Dean's Yard

Attributed to John Carter, 1748–1817, British

Detail, Dean's Yard

between 1806 and 1815

John Carter Figure study, Henry VII Chapel

Attributed to John Carter, 1748–1817, British

Figure study, Henry VII Chapel

ca. 1793

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Robert Dighton Foot Ball played at Market Place, Barnet

Robert Dighton, 1752–1814, British

Foot Ball played at Market Place, Barnet

ca. 1784

Robert Dighton Coits Played opposite the Horns, Kennington Common

Robert Dighton, 1752–1814, British

Coits Played opposite the Horns, Kennington Common

ca. 1784

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

unknown artist Details of Capitals and Arches, Painted Chamber

unknown artist

Details of Capitals and Arches, Painted Chamber

between 1793 and 1799

John Carter Paintings on the Wall by H in Plan

Attributed to John Carter, 1748–1817, British

Paintings on the Wall by H in Plan

between 1793 and 1799

James McNeill Whistler Battersea Reach

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Battersea Reach

1863

Inigo Jones A Plumed Saddle-Horse

Attributed to Inigo Jones, 1573–1652, British

A Plumed Saddle-Horse

ca. 1640

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

James Malton A Military Encampment in Hyde Park

James Malton, 1761–1803, British

A Military Encampment in Hyde Park

1785

Nathaniel Smith Westminster Abbey and St. Paul's from Battersea Fields

Nathaniel Smith, 1740–1787

Westminster Abbey and St. Paul's from Battersea Fields

undated

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

John Carter Details of one of the Figures

Attributed to John Carter, 1748–1817, British

Details of one of the Figures

ca. 1795

Charles James Richardson Ceiling to Boudoir House in Old Palace Yard

Charles James Richardson, 1806–1871, British

Ceiling to Boudoir House in Old Palace Yard

1871

John Carter View of Modern Gateway in South East Angle of Dean's Yard

John Carter, 1748–1817, British

View of Modern Gateway in South East Angle of Dean's Yard

between 1780 and 1807

John Carter North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Attributed to John Carter, 1748–1817, British

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

1792

John Carter Part of the Old Dormitory

Attributed to John Carter, 1748–1817, British

Part of the Old Dormitory

1815

John Carter South View of the Abbey Church, Westminster, Taken from Dean's Yard

Attributed to John Carter, 1748–1817, British

South View of the Abbey Church, Westminster, Taken from Dean's Yard

1785

John Carter Buildings on North Side, Dean's Yard

Attributed to John Carter, 1748–1817, British

Buildings on North Side, Dean's Yard

between 1806 and 1815

John Carter Detail for Preceding Elevations

Attributed to John Carter, 1748–1817, British

Detail for Preceding Elevations

between 1806 and 1815

Thomas Rowlandson Rag Fair or Rosemary Lane

Thomas Rowlandson, 1756–1827, British

Rag Fair or Rosemary Lane

undated

James McNeill Whistler Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"

1871

Sir William Chambers Design for Ceiling

Sir William Chambers, 1723–1796, British

Design for Ceiling

ca. 1765

Sir William Chambers Facade for a Temple of Peace, Kew Gardens, Surrey

Sir William Chambers, 1723–1796, British

Facade for a Temple of Peace, Kew Gardens, Surrey

ca. 1763

Alexander Cozens Hyde Park

Alexander Cozens, 1717–1786, British

Hyde Park

between 1746 and 1750

Thomas Girtin Trees in Hyde Park, London

Thomas Girtin, 1775–1802, British

Trees in Hyde Park, London

ca. 1800

Samuel Scott A Wood Yard on the Thames at Nine Elms

Samuel Scott, 1701/2–1772, British

A Wood Yard on the Thames at Nine Elms

undated

Samuel Scott Thames Side Buildings

Samuel Scott, 1701/2–1772, British

Thames Side Buildings

undated

unknown artist Edgware Road (perhaps tampered original)

unknown artist

Edgware Road (perhaps tampered original)

undated

Thomas Rowlandson Vauxhall Gardens

Thomas Rowlandson, 1756–1827, British

Vauxhall Gardens

ca. 1784

Stanley Anderson The National Gallery

Print made by Stanley Anderson, 1884–1966, British

The National Gallery

undated

Hedley Fitton St. Bartholomew's Gateway

Hedley Fitton, 1859–1929, British

St. Bartholomew's Gateway

undated

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910, British

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden Out of Study Window

Sir Francis Seymour Haden, 1818–1910, British

Out of Study Window

1859

Sir Francis Seymour Haden Battersea Reach

Sir Francis Seymour Haden, 1818–1910, British

Battersea Reach

1863