<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Medium laid paper

Remove constraint Medium: laid paper

Subject Terms shepherds

Remove constraint Subject Terms: shepherds

Search Results

1. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1879
Medium:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1879
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Tobias and the Angel

Tobias and the Angel
Creator:
Print made by John Smith, 1652–1743, British
Date:
ca. 1685
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse

Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse
Creator:
Henry Tresham, 1751–1814, British
Date:
undated
Medium:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 19 7/8 inches (31.8 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Creator:
Sir James Thornhill, 1675–1734, British
Date:
undated
Medium:
Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:
Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Design for a Frontispiece: Shepherds with Flock

Design for a Frontispiece: Shepherds with Flock
Creator:
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Date:
undated
Medium:
Pen in black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 3/8 × 11 1/8 inches (28.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Aka-Kuf

Aka-Kuf
Creator:
Print made by Charles William Cain, 1893–1962, British
Date:
undated
Medium:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 14 inches (25.8 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Brothers of Joseph Showing his Bloody Coat

The Brothers of Joseph Showing his Bloody Coat
Creator:
Print made by John Murphy, ca. 1748–1820, British
Date:
1782
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788, British
Date:
between 1779 and 1780
Medium:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Medium:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Nativity

The Nativity
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 3 7/16 inches (13.5 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Celadon and Amelia

Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785, British
Date:
1766
Medium:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

13. The West Window of the Chapel, New College Oxford:

The West Window of the Chapel, New College Oxford:
Creator:
Richard Earlom, 1743–1822, British
Date:
1785
Medium:
Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 1/16 × 19 1/8 inches (66.2 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1805
Medium:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of a Portico by the Side of a River, with Herdsmen and Cattle

View of a Portico by the Side of a River, with Herdsmen and Cattle
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1774
Medium:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

16. A Landscape with Cattle

A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1775
Medium:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

17. Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762, British
Date:
1760
Medium:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection